(Originally aired 2021/01/02 - listen here)
Welcome to On the Shelf for January 2021. The New Year is most often thought of as a time for fresh starts, new beginnings, and revising one’s path in life. This year, it feels like we’re all still in the middle of the awfulness and it will still be a while before change will come. But for this podcast, at least, this month marks a shift in gears and some fresh directions.
We’re now broadcasting only through the new, independent show and it means we’ve lost a significant part of our previous listeners, though I hope it’s only temporary. Thank you to all the listeners who followed us over, or who recently joined. And thank you especially to all of you who talk the show up and help new listeners find us.
The big format and content change is that the interview segments will now be shorter and combined into this monthly round-up, reducing the schedule to twice monthly, plus the quarterly fiction shows. Another minor change is that the new book listings will include a brief description of the setting and plot rather than reading the cover copy. And there will still be occasional news items and discussions on the field of lesbian and sapphic historical fiction in general.
2021 Fiction Series
And speaking of the fiction series, it’s January so submissions are open for the 2021 fiction series! All month we’ll be accepting submissions of short stories up to 5000 words featuring sapphic characters in historic settings, including some types of historic fantasy. I’m looking forward to seeing what this year brings! See the Call for Submissions link in the show notes for full details and how to submit.
Publications on the Blog
The blog finally finished discussing Martha Vicinus’s Intimate Friends and I confess it became something of a slog, with the book turning into more literary and psychological analysis than the history of people. Rather than continue with my original plan, which was to tackle a book with a similar feel, I went through the shelves and grabbed several works that may be a bit more exciting. I’ll start with a collection Homosexuality in French History and Culture, edited by Jeffrey Merrick and Michael Sibalis. Only a few of the articles focus on women, but I already found one of them quite valuable when writing the episode on the Anandrine Sect. That should take care of January and then I’ll see what catches my eye.
For this month’s essay, I’ve been inspired by reading through excerpts from Anne Lister’s diaries to take notes on how her courtships and sexual encounters were scripted. It’s an interesting study in the social dynamics of the early 19th century.
And this month we have our first fiction episode of 2021, with a lightly fantastic tale of medieval Provence, “A Soldier in the Army of Love” by Diane Morrison.
Recent Lesbian Historical Fiction
Last month I wondered where all the December books were, since I only knew about two to mention then, but this month when I looked, I found another five titles of interest, plus six January books. The eras cover a wide span of time and the settings extend outside of the anglophone world.
Three of the December books are continuations of previous series. Mary D. Brooks’ “Intertwined Souls” series has a new entry with Promise is a Promise, set just after World War II beginning with a promise made in an Egyptian refugee camp and ending with a Christmas surprise. This is an extended series following a group of continuing characters and may work best for those already familiar with the series.
Lee Swanson’s earlier novel of medieval merchants and gender disguise, No Man’s Chattel is now followed by a sequel Her Perilous Game, with the series title “No Man is Her Master”. In 14th century Europe, Christina Kohl takes on the identity of her dead brother to become a merchant of the Hanseatic League, encountering both political chaos and scheming rivals during a trading voyage to England. I’m always excited to see stories with authentic medieval settings and some day I hope to find time to read this series.
Renaissance Italy is the setting for the final book in Edale Lane’s “The Night Flyer” trilogy, Chaos in Milan. A combination of superhero adventure and romance, set among feuding city-states infused with the imaginative technology of Leonardo da Vinci.
Mariah R. Embry’s Beyond the Vines is a bit more down to earth and deals with independence and growing romance as well as trauma. In 1918, Amina flees an abusive husband with her son and travels to Washington state where she is taken in by vineyard owner Celeste. While struggling to establish herself and find a new path, she is surprised by an unexpected romance.
The final December book is a Christmas-themed novella set in Victorian England. The Christmas Chevalier by Meg Mardell is not a sapphic book, as the protagonists are a woman and a trans man who is enjoying the temporary freedom to be his true self. But because of the fuzzy edges of categories in historic contexts, I thought it might be of interest to some listeners. A masquerade dance provides the context for two friends to see each other in a different light.
The January books start off with this month’s author guest, Malinda Lo with Last Night at the Telegraph Club. In 1950s San Francisco, Lily Hu juggles being a good Chinese daughter, dreaming of a career in science, and sneaking off to a lesbian nightclub with her friend Kath…who she hopes will become more than a friend. We’ll be talking about the book later in this show.
From Lianyu Tan comes a book more on the mythic side of the fence than the historic. Captive in the Underworld is a sapphic take on the legend of Persephone, but this is a dark tale of coercion and abuse, not a romance. Content note for non-consensual sex.
On a very different note, Maxine Kaplan’s Wench has a medieval-ish setting in an unspecified location, with a spunky teenage tavern wench holding her own with the help of a little bit of magic. This is a YA story with what sounds like a loose connection with history but it sounds like a lot of fun.
Another fun working-class romance is the graphic novel Patience & Esther by S.W. Searle which tells the story of two maids in an Edwardian country house, falling in love in a rapidly changing world that offers them new opportunities. Bonus points for diverse ethnic representation. I supported the Kickstarter for this book and I’m looking forward to enjoying it.
A speculatively alternative wild west is the setting for Anna North’s Outlawed, which plunges our heroine into a seriously gender-bent version of the Hole in the Wall Gang who push back against an epidemic-ravaged society obsessed with female fertility. Don’t go into this book expecting a traditional western or a feel-good adventure, but rather a gripping dystopia steeped in queerness.
The final January book falls in the genre of Pride and Prejudice spin-offs, but this one focuses and expands on the character of Anne de Bourgh, who is more or less a cypher in the original book. Molly Greeley’s The Heiress: The Revelations of Anne de Bourgh traces Anne’s struggle to get out from under her mother’s thumb and the laudanum addiction imposed on her from childhood. With the help of cousins in London, she begins to invent a new life and identity for herself. The cover copy doesn’t touch on the sapphic elements but reviews confirm that one of the things she finds in London is love for a woman. This is Greeley’s second Austen-inspired novel, but the first doesn’t have queer elements.
Have a sapphic historical coming out? Or know of one that you think I might not know about? Drop the podcast a note to make sure we include it! Or drop us a note if you’ve found a book you loved through these listings.
What Am I Reading?
So what have I been consuming lately? After my flurry of reading in November, I went back into my slump. But I did watch the new historical movie, Ammonite, based on the life of Victorian fossil-collector Mary Anning and her lifelong friend Charlotte Murchison, the wife of a leading geologist. Although the erotic relationship that the movie focuses on is interpolated into that friendship, Anning had several very close female friendships that supported her career, including her mentor, paleontologist Elizabeth Philpot. (The character of Philpot also appears in the movie, but I’d have to re-watch it to see if it’s the woman that Anning is implied to have previously had a romantic relationship with.) I’m not the one to complain about exploring the erotic potential of Victorian-era romantic friendships. But I do think the movie does a disservice to the historic Charlotte Murchison, who was a talented scientific illustrator and may have inspired her husband’s interest in geology, whereas the movie depicts her as a frail, neurotic dilettante. Given the historic facts of Anning and Murchison’s lives, I’m a bit impatient with the criticism of the movie as not having a “happy ending” for the romance. But if you know a filmmaker who wants to make a movie about female couples in history living happily ever after, I can give them a shopping list of ideas for inspiration.
Now on to our author guest!
[The interview with Malinda Lo will be included here when it has been transcribed.]
Your monthly roundup of history, news, and the field of sapphic historical fiction.
In this episode we talk about:
Links to the Lesbian Historic Motif Project Online
Links to Heather Online
Links to Malinda Lo Online