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economic independence

This theme is not specifically associated with lesbians historically, but for the purposes of the Project is is useful to identify historic and social contexts in which economically independent women were not unusual.

LHMP entry

Leach’s biography of Charlotte Cushman takes a detailed “gossip column” type of approach, working in detail through all her travels, performances, and social interactions. He attributes motivations, emotions, and reactions both to Cushman and to those around her, dramatizing and fictionalizing the bare facts drawn from letters, diaries, and newspaper accounts. This can leave a seriously mistaken impression of what the evidence is behind his assertions.

Marion “Joe” Carstairs was born in 1900, heir to a fortune, courtesy of her grandfather’s involvement in Standard Oil, and became famous in the 1920s as a motorboat racer and celebrity. She dropped out of general notice in 1934 when she bought an island in the Bahamas and moved there to found something of a private kingdom where she entertained her fellow celebrities, such as the Duke and Duchess of Windsor, as well as a long string of female lovers such as Marlene Dietrich.

Introduction – Esther D. Rothblum and Kathleen A. Brehony

This summary will cover only the Introduction and the chapter by Lillian Faderman on the history of Romantic Friendship. The remainder of the book is primarily personal memoirs of psychologists and some of their patients around the topic of non-sexual lesbian relationships.

No sooner had an identifiable feminist movement arisen in the 19th century but it was answered by an anti-feminist movement. Men formed the majority of this reaction, seeing feminism as challenging their superior position, but women were prominent in writing anti-feminist tracts as well, often ignoring the irony that in doing so they violated the norms that they claimed to uphold.

Friedli provides an extensive examination of “passing women” -- defined as women (using current terminology, it might be better to say “persons assigned female at birth”, but Friedli uses “women” and I will follow that here) who live, work, and/or marry as men for some period during their lives. This is specifically distinguished from theatrical cross-dressing or overt cross-dressing as a sexual signal. While the phenomenon is far from confined to the 18th century, there seems to have been a fascination with it in England, beginning in the late 17th century.

The author is looking through 18th century civic records from Hamburg, Germany for data about same-sex relationships, primarily in legal contexts. The majority of the article covers male topics, but one particular example involving women is explored in some depth. The case of Ilsabe Bunck and Maria Cäcilia Jürgens initially appears in legal contexts, but later became sensationalized and is often treated in a moralizing or voyeuristic way.

Lanser examines the conjunction of the novel as a genre with "modernity" as defined in this work and considers its relationship to sapphic themes, despite the superficially overwhelming heteronormativity of the genre. One hallmark of the novel is the way in which it explores the contradictory imperatives of self-determination and socialization. The focus of the novel on the formation of couples and the subjective nature of desire opens the conversation--as previously seen with political and social conversations--to the inclusion or exclusion of sapphic subjects under that rubric.

(by Rose Fox)

The book is primarily about Germany, but it touches on a lot of international issues. Chapter 1 analyzed two German novels about French women who cross-dressed to fight in wars. For my purposes, the most useful bit was a list of actual female French soldiers who wore men's uniforms. [Yay, more research to do!]

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