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enlarged clitoris

 

Associated with medical interest in the function of the clitoris, starting in the 16th century, there arose a persistant myth that an enlarged clitoris (long enough for penetrative sex) was associated with lesbianism, either as cause or effect.

LHMP entry

[Note: calling these texts “scientific” is stretching things a bit, but I’ll allow that the people writing them considered them to be scientific, in a sense.] This section of the chapter covers a handful of texts that fall generally in the category of non-fiction, as understood by their authors. A secondary theme to this section is “motifs that classical Roman texts do not support,” specifically with respect to physiology and gender role topics.

Macro-clitoral Motifs

Chapter 1: The Tribade, the Hermaphrodite, and Other “Lesbian” Figures in Medical and Legal Discourse

Traub claims the title of this article is a “bait and switch” as she follows Halperin in treating “homosexuality” as such as only existing in the last 100 years, with “the lesbian” as an even more recent discursive invention.

While the study of homosexuality was developing in Europe in the later 19th century, theories and publications on the topic made their way to Russia, but did not necessarily shape how Russian culture and medical/psychological professionals viewed people in same-sex relationships. Direct evidence about female homosexuality in Russia is scanty, but a collection of three case studies were written up by a Russian gynecologist in 1895, based either on direct contact or on documentary evidence.

This article forms the core of Traub’s 2002 book by the same name, covered in entry #69. However summarizing this original article will provide a different angle and different details than I picked up from that previous entry.

When one of my summaries is basically a list of contents, either it means that the publication is really thin on relevant content, or it means that it’s so rich that you simply need to buy the book and put it in a cherished place on your shelf. This one is the latter. At least half the contents apply to women’s experiences (although it’s still true that the male-authored female-relevant content far outnumbers the female-authored male-relevant content) and the collection includes many of the oft-cited texts from the covered period. Far from all, but an excellent place to start.

The general scope of the work is language used to describe or refer to sexual and excretory acts, either as the primary meaning of the words, as a standard euphemism, or as ad hoc metaphorical or poetic reference. From the context of usage, especially the nature and formality of the text, one can identify hierarchies of offensiveness.

The chapter opens with a tantalizing personal history that suggests, but never clearly demonstrates, lesbian possibilities. In 1722, Ann Carrack, a 30-year-old spinster set up in business as a milliner in London with Mary Erick. They rented a shop together and lived together above the shop. Several years later, they moved together to another location. After 7 years sharing a business and living quarters, they parted: Ann to work as a needlewoman and Mary to set up a shop in Chelsea. But 10 years after that, Ann resumed the partnership, moving in with Mary in Chesea.

Two figures provide a lens for the complexity of British systems of gender and sexuality in the mid 18th century: John Cleland (most famous for his novel Fanny Hill, or The Memoirs of a Woman of Pleasure) and Mary Wortley Montagu (poet and correspondent, most commonly mentioned in the LHMP for her descriptions of life in Ottoman Turkey as the wife of the British ambassador there).

The general topic of this article is the ways in which women who had sex with women in 17-18th century Britain were marginalized from the category of “women” via the imagined figure of the hermaphrodite, combining in the image of the tribade who was endowed with a penis-equivalent, either in the form of an enlarged clitoris or sometimes a prolapsed vagina capable of performing penetration. This article traces that image through various genres of literature, both popular and professional.

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