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nuns

LHMP entry

Preface

This book looks at how Catalina de Erauso’s story has been “constructed, interpreted, marketed and consumed” in the 17-20th centuries. Velasco identifies Catalina as a “transgenderist” (that is, someone who engages in transgender performance without necessarily having transgender identity) and uses she/her pronouns as the book is examining how Catalina’s image was used (the image of a woman performing masculinity) rather than interpreting what Catalina’s own understanding might have been.

This chapter looks at the social construction of women’s categories. “Widow” (and its equivalents in other languages), for example, has varied in meaning across time, and has variously meant “woman with no man to represent her legally”, or “woman with no male source of economic support”. The Christian focus on remarriage versus sexual chastity introduced new concerns and nuances, with “vidua” sometimes indicating a woman under a vow of chastity, with “relicta” distinguishing more generally a woman left behind after a husband’s death.

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