Chapter 1 (Introduction)
A discussion of terminology, some of the cross-cultural problems of defining the topic of the book, and a statement of intent.
Chapter 2 (In the Beginning: 40,000-1200 BCE)
The general topic of this article is the use of music and musical imagery in the experience and expression of religious devotion, particularly as an embodied experience. The starting point for the thesis is the establishment of a rhetoric of embodied sensual experience of “divine music” both as a metaphor and as literal sensory perception. The author states: “I will explore just a few of the many ways in which Hildegard’s musical compositions exemplify her own conceptions of body--particularly the female body--and its central role in religious devotion.
An extensive legal/religious discussion/debate on the question of whether grinding [sex between women] is forbidden. The debate is largely framed as a discussion by “the father of Mohamad”.
He reviews various positions on whether female homosexuality is forbidden or permitted. Is it fornication? Is it worse than fornication? Is it not fornication at all? The conclusion is that it isn’t fornication because fornication is specifically define as unlawful penis-in-vagina sex.
This work is a compilation of two lectures and a collection of primary texts in translation. The first chapter is a lecture sponsored by Aswat a Palestinian lesbian organization. It discusses issues of identity and especially issues around coming out in modern Islamic society.
Part II: The history and representation of female homosexuality in the Middle Ages
Chapter 3: An overview of Medieval literature concerning female homosexuality
Medical references to sex between women include several on the “rediscovery of the clitoris” theme as well as pseudo-medical explanations for same-sex desire, plus some titillating orientalism. Several of the texts cited here are classical but formed part of the corpus of standard medical literature in the Renaissance.