While one of the underlying purposes of the LHMP as a resource for authors is to find examples of women in history who engaged in same-sex relationships, when clear examples from women's lives are not available, a second purpose is to identify cultural experiences that women could have recognized as reflecting their same-sex desires. Or, in simpler terms, if a character in a historical fiction didn't have direct experience of same-sex love, what might she encounter that would validate the concept? What was there in her environment that could "give her ideas"?
LHMP
Blog entry
Lesbian Historic Motif Podcast - Episode 51 (previously 21d) - Diana and Callisto: The Sometimes Problematic Search for Representation - transcript
(Originally aired 2018/04/28 - listen here)
Lesbian Historic Motif Podcast - Episode 50 (previously 21c) - Book Appreciation with Liz Bourke - Transcript
(Originally aired 2018/04/21 - listen here)
Historical studies of prominent women such as Queen Elizabeth I often focus on the men who filled key positions in their governments or who served as advisors. Such an approach that looks primarily at formal structures can overlook the immense power and influence that women had in a social context where people spent most of their lives in gender-segregated contexts.
The 18th century English performer Charlotte Charke manipulated gender performance both on stage and off. Charke's performances--whether dramatic, economic, or literary--represented a challenge to gender boundaries of the time and have continued to stand as a challenge to historians engaging with Charke's person and performances. Was Charke's off-stage performance as "Mr. Brown" simple economic necessity? Was it a reflection of transgender identity? Was it a strategem to engage in homoerotic encounters with women?
There's a lot of meat to chew on in this article, and I think that Trumbach's exploration of shifts in how same-sex desire was understood and classified during the "long 18th century" is both fascinating and valuable. But at the same time, I see a lot (and I mean, A LOT) of flaws and weaknesses in how he frames and presents the data and his conclusions. Which I have commented on at great length interspersed with my summary of the article.
There are many philosophical pitfalls in the desire to categorize historic individuals or concepts in western culture as "lesbian" as we moderns understand and use the term--I say this despite my own use of the word as a shorthand in this project. (A shorthand I have no intention in abandoning for a variety of reasons.) Many of those pitfalls revolve around historic shifts in the understanding of the nature of physiological sex, the relationship of sex to performative gender, and the relationship of both of those to erotic and romantic desire.
Lesbian Historic Motif Podcast - Episode 49 (previously 21b) - Interview with Alyssa Cole - Transcript
(Originally aired 2018/04/14 - listen here)
Heather Rose Jones: This month The Lesbian Historic Motif Podcast is delighted to have Alyssa Cole as our guest.
Alyssa Cole: Hi, so happy to be here. [laughs]
Lesbian Historic Motif Podcast - Episode 21a - On the Shelf for April - Transcript
(Originally aired 2018/04/07 - listen here)
Welcome to On the Shelf for April 2018.
Lesbian Historic Motif Podcast - Episode 47 (previously 20e) - "One Night in Saint-Martin" by Catherine Lundoff - transcript
(Originally aired 2018/03/31 - listen here)
Welcome to the debut offering of the Lesbian Historic Motif Podcast original fiction series! I think you’re going to love the stories that we have lined up for you across the year.
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