emotional /romantic bonds between women
This article concerns an individual who may more properly be interpreted as transgender, however as noted a number of times before, in a historic context where heteronormativity is so strong as to impede the ability to self-define as a woman-oriented woman, interpretation can be ambiguous.
Renaissance philosophy tackled the question of friendship: who is an appropriate friend, what behavior should a friend exhibit, what is the relationship between the love of friends and sexual desire? Given the times, the majority of texts addressing this topic were concerned with friendships between men, though a nod was often given to Sappho as a proponent of female friendships, or to the possibility of “Platonic love” between women, which is given explicit license in the Symposium as well as by Renaissance writers commenting on it, as Agnolo Firenzuola did.
The introduction notes the extreme variation in how female same-sex relationships were treated, in terms of penalties, liability, and the means and extent of enforcement, including differing legal theories of whether the term “sodomy” could apply. As a generalization, consensual same-sex behavior was least prosecuted in England, while Florence may have regularly prosecuted relations between men but the penalties were relatively light, while in Spain penalties were regularly quite severe including execution, and similarly severe were those recorded in Geneva.
Within this study of the lives and works of the female poets of 12-13th c. Provence, we are concerned solely with one: Bieiris de Romans, whose surviving attributed work consists of a single canso (a genre of courtly love lyric) addressed to a woman named Maria (clearly not the Virgin Mary, in this context).
Beynon studies fictional (and biographic) narratives of "accounts" as a window on the gendering of economic competence in the 18th century. This specific article concerns two relationships between women that are framed or viewed in terms of their economic logicalness and success: Barker's embedded story "The Unaccountable Wife" in A Patch-Work screen for The Ladies, and Defoe's Roxana. The former is an odd tale of a married couple and their female servant who is, apparently, also the mistress of the husband.
This article examines two texts in the "reformed coquette" genre to look at changes in views of women's romantic agency and how romantic relationships between women were both presumed by, and a challenge to, the notion of marriage as based on mutual affection.
Like Gonda’s article on Scott and Charke, Donoghue’s examination of the Anne Damer points out the artificially polarized popular view of affection between women, where very intense romantic friendships were acceptable and even praised so long as they avoided even the rumor of erotic activity. Damer failed to avoid those rumors, but it is unclear whether her refutation of the label of “Sapphist” lay in truth or definition.