Garber details the thought process that went into developing an LGBTQ course for her university’s “global” core requirement, resulting in a course on Asian Gay and Lesbian Cultures. Garber’s academic focus was 20th century US lesbian writers so she worked in collaboration with a colleague with a focus on Asian history and literature.
[Note: I have some reservations about this article because it feels very much like a western outsider using primarily western/translated sources to try to say big-picture things about gender and sexuality in South Asia. There is a fair amount of speculative language (“such women could have...”) and conflation of historic evidence from wildly disparate times and places whose primary common theme is “not part of western Christian culture.” Take it for what it’s worth.]
This is an invaluable book that collects all manner of classical Greek and Roman texts relevant to homosexuality in a single volume. I doubt that it’s exhaustive, especially with regard to male homosexuality, but Hubbard seems to have made special efforts to include female-oriented material. The material is organized chronologically and by literary genre, with an introductory discussion in each section to provide historic context.
Wiethaus addresses the problem of finding and identifying women’s same-sex relationships in history by looking at the general context of women’s same-sex friendships and especially features of those friendships that are specific to women’s experiences.
Lanser opens her article with the bold hypothesis that “in or around 1650, female desire changed.” That there was a conceptual shift in gender relations reflected in literature, politics, religion, and individual behavior in which private intimate relationships between women became part of public life, and that this shift shaped women’s emergence as political subjects claiming equal rights.
The article takes a critical look at the concept of “chastity” as an attribute of the mythical goddess Diana, especially as interpreted in early modern literature and art, and at the depiction of Diana as the focus and leader of a community of women who reject romantic and erotic interactions with men, but engage in those interactions with each other.
This book is a glossy, photo-filled companion volume to a museum exhibit on lesbian and gay history in Boston, for a fairly broad definition of those terms. Due to this connection with a museum exhibit, there is a natural focus on material objects, accompanied by a relative minimum of explanatory commentary. The exhibit emphasized the importance of making a historic connection for modern visitors--a “usable history”.
Mills asks (rhetorically) why medievalists rarely discuss transgender frameworks of interpretation, given that medieval people had much clearer ideas about that topic than anything that might be called “sexuality.” Moral polemics focused less on sex acts themselves, than on disruptions of gender, in particular those that violated the strict binary contrast of “male = active, female = passive.” Androgynous (or intersex) persons were recognized as existing, but were required to choose a consistent binary gender identity (or celibacy).
Babayan examines the poetic narrative of a late 17th century Iranian widow’s pilgrimage to Mecca. While this would not appear to be a fertile ground for themes of same-sex desire, the social context of gender segretation and the structures of women’s friendships and relationships brings to light a number of relevant motifs. The article is relatively long and I will be skimming it for these most relevant aspects. Therefore my summary is likely to present a rather skewed understanding of the entirety of Babayan’s analysis.
Following the theme of “who tells your story?”, this set of selections diverges strongly between male and female authors. We have three named male authors including lesbian themes in pornography or crude sexual satires. We have five female authors writing poetry of intense romantic friendships, sometimes tinged with an erotic sensibility but never explicit. And we have two anonymous works of varied nature.