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19th c

LHMP entry

While chapter 1 looked at women who were able to forge exceptional lives through individual resources, whether of money or talent, this chapter looks at the options available through a supportive community. Specifically an extended community of English and American expatriates in Rome in the third quarter of the 19th century. The core of this group was formed of artists and writers, extended through their friends and partners. And at the center were actress Charlotte Cushman and sculptor Harriet Hosmer.

Part I – Husband-Wife Coupling

The first two chapters cover a number of couples who explicitly presented their relationships as marriage. They controlled people’s perception of the relationship by careful management of their public performance. The framing of the couples as “married” was often accompanied by one partner performing a somewhat more masculine style and perhaps attributing her attraction to women to an inherent masculinity.

This book addresses the question of why, given the attention paid (if patchily) by historians to women’s friendships, the subject of erotic F/F friendship is strikingly absent from study. This erasure makes it possible to argue for the absence of lesbians in the past, but the erasure goes beyond the erotic.

The introduction to this article identifies the turn of the 20th century as “a crucible of change in gender and sexual relations in the United States” and stakes a claim that the period from 1880-1920 was when the “Modern lesbian” emerged. [Note: One hears this claim about a variety of different points in the 19th and 20th centuries. So I’d withhold judgment about the accuracy of the claim.] This study focuses on the lesbian as a “desiring subject” -- a woman who considers her desire for other women to be a fundamental part of her identity.

This is an encyclopedia-style collection of texts that speak to specific topics in the history of sexuality. It is far from exhaustive, either in intent or execution, but rather picks specific works to use as discussion or thinking points. It was compiled for use as a set of study texts for a college course on the history of sexuality and that purpose can be seen in the inclusion of study questions after each text.

Chapter 4: Lesbian Masculinity: Even Stone Butches Get the Blues

This chapter tackles John Radclyffe Hall and the sexologists’ “invert” as the next archetype. Hall was part of a subculture of “inverts” and their “wives” at a time when sexological theories were becoming familiar to the public. Despite the sexologists’ attempts to identify a unified theory of inversion, there were different models of female masculinity prevalent in same-sex circles.  Female inversion (usually accompanied by homosexuality) was the model applied to women similar to Anne Lister: ones with a masculine identification and performance, who desired non-masculine women.

The existence of masculine women throughout the ages challenges assumptions about the nature of masculinity and why the connection between men and masculinity has remained so secure. While some hold that the phenomenon of the “virile woman” is recent, and tied to feminism, or as a sign of the loosening of gender conformity, these positions overlook the history of masculine women. [Note: H says, “a character who has challenged gender systems for at least two centuries”, but of course it’s been happening much longer than that.]

New Preface

Halberstam takes as a subject the concept of a “masculinity” that is distinct and separate from people born male, comparing it to the long tradition of studying “male femininity” from the Greek kinaidos through early modern molly houses and up to the present. When first written in 1998, similar histories had not been written for women. [Note: I think this is overstating the lack a little bit.] Yet there have been many modes of lesbianism that involved the evocation or claiming of “masculinity.”

Hatem looks at systems of institutionalized male control of female sexuality in 18-19th century Egypt, considering issues of class and ethnicity, as well as large-scale political shifts and disruptions. Moreover, patriarchal systems are not only about relations between men and women, but about how relations among women and relations among men support or resist power structures.

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