...but a good novel is more like a symphony. Or an opera.
Musical metaphors for story structure have been somewhat on my mind while writing Mother of Souls. One reason, of course, is the centrality of music as a transformative force within the plot. But more than that, I've been thinking about all the different types of emotional structure that can work effectively in a large-scale composition. One of the reasons it's been on my mind has been the suggestion that Mother of Souls needs to come out of the gate with more drama, more peril, more tension.