As we enter the 19th century, this chapter centers around the famous 1811 trial in which two schoolmistresses, Miss Woods and Miss Pirie, were accused by a student of lesbianism and successfully sued the student’s guardian, Dame Gordon, for libel. The focal point of the trial was the argument that proper English ladies simply were not capable of behavior of that sort, while the lawyers for Dame Gordon dug into history as far back as Lucian’s Dialogues of the Courtesans to demonstrate the existence of the behavior that the two women were accused of.
sex between women
This tag is used for any general discussion of erotic physical activity between women or one where more specific terms are not mentioned.
LHMP entry
In this chapter, Faderman reviews the historic and literary perception of women cross-dressing as men during the 16-18th centuries. She notes that women passing as men [or transgender men, although this framing was not typically used at the time the book was published] were considered a more serious issue than lesbian sex, as long as that sex was between “feminine” women. One difference was that sexual encounters could be framed as a transient amusement whereas passing women were engaged in a long-term transgression.
In this chapter, Faderman moves on from 16-18th c male ideas of what lesbian sex might consist of, to the stock “lesbian narratives” in which those ideas appeared, and to the social and political motivations behind how lesbian sex was used as a literary tool or weapon. She uses Mathieu François Mairobert’s L’Espion Anglois (1777-8) as a prototype of pornographic treatments of lesbian sex in the 18th c and later.
The book opens with an examination of female homoerotics in “libertine” literature of the 16-18th centuries, that is, books written almost exclusively by men that depict women in erotic encounters with each other, primarily for the titillation of the (presumably male) reader. This includes works such as Brantôme’s Lives of Fair and Gallant Ladies, which deals generally with the sexual exploits of women at the French court of Henri II, and includes a special section on “donna con donna” (woman with woman).
The majority of this article concerns accusations of sodomy between men, and looks at the numeric distribution of evidence with regard to the date, location, nature of the charge, and demographic information about the accused. The analysis is particularly interesting with regard to the interplay of religious and sexual concerns. There is a single reference to an incident involving women.
This is a translation of an 1891 publication of the summary of German trial records from1721. The 1891 publication is by Dr. F. C. Müller, a sexologist who added his own commentary from the point of view of sexual psychopathology. Eriksson’s translation omits this commentary and includes only the original trial summary. The summary was put together after the conclusion of the trial when the sentence was being sent to a higher authority for review.
Crompton provides an in-depth study of European and American laws addressing homosexual acts between women, from 1270 on. Prior to this study, the general historical understanding was that lesbians were ignored by the law, based mostly on an unwarranted generalization from English law. In fact, lesbian acts were criminalized in legal systems in France, Spain, Italy, Germany, and Switzerland, and were considered equivalent to male sodomy.
Friedli provides an extensive examination of “passing women” -- defined as women (using current terminology, it might be better to say “persons assigned female at birth”, but Friedli uses “women” and I will follow that here) who live, work, and/or marry as men for some period during their lives. This is specifically distinguished from theatrical cross-dressing or overt cross-dressing as a sexual signal. While the phenomenon is far from confined to the 18th century, there seems to have been a fascination with it in England, beginning in the late 17th century.
This is an extensive study of Roman art depicting sexual activity, much of it overtly pornographic. Of the entire (enormous) corpus of material, Clarke has only identified two images that may depict or imply sexual activity between women. Both are part of a series of wall paintings at the Suburban Baths in Pompeii (ca. A.D. 62-79), and the physical condition of the paintings makes interpretation difficult and uncertain.
This is primarily a literary analysis paper, comparing the structure and themes of 13/14th c French romance Yde et Olive with one of its possible inspirations, Ovid’s Iphis and Ianthe. It begins with a brief reference to other medieval French romances with cross-dressing themes (e.g., Tristan de Nanteuil, as well as an outline of the entire Huon de Bordeaux cycle of which if forms a part.
Pages
