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Writing Process

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Today I have a reader question from Andrei, who has kindly allowed me to answer in this blog:

I really enjoy your books. Lately I've been reading a history book on pre-Revolutionary France and it noted that the Christian message that was preached to the masses by the post-Reformation Catholic Church was one of a angry God, a God of vengeance and wrath that demanded penitence and misery. This sermon that Yves Michel Marchais delivered to his congregation in Western France in the 1780s is quite illustrative:

Yeah, it's been a while since I've done a writing progress update, isn't it? I confess I've gotten a little knocked off the tracks with respect to blogging in the past month and I keep reminding myself that one of my New Year's Irresolutions was not to beat myself up about that. (Poor Abiel LaForge is sitting there on the front lines waiting for the war to end.) So where are we...?

Except for the book release re-boot series, I haven't been blogging as regularly as I like to. May has been a bit crazy in terms of travel/conventions and work pressures (you know, the job that pays my bills). I've had enough LHMP posts in the can to carry my through (though I need to record a podcast tonight that I haven't finished writing yet! The Civil War diaries have been a dropped ball for the last couple weeks. But I keep plugging away at the first draft of Floodtide, day by day.

Have I done a writing blog lately? I've gotten so random with everything except the LHMP and the LaForge diaries that I'd have to look in the blog roll to see.

My day-to-day writing project is still Floodtide. I'm continuing with the tradition that every book has a slightly different writing process. This one feels a bit like I've circled around back to my process for Daughter of Mystery in that I'm just sort of spilling story onto the page as it comes to me with only a bare outline to guide me.

One of my readers (a fellow writer) gave me a topic that could easily turn into a book rather than just a blog, but I’ll try to keep it concise. They asked if I could talk about techniques I use for implying/showing the development or existence of a romantic relationship between characters without simply having the characters state it outright (perhaps because the characters are still working their heads around it) and without using sexual intimacy/desire (whether because the relationship is non-sexual or simply because that isn’t how I choose to depict it).

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