(Originally aired 2025/07/20 - listen here)
Introduction
The Lesbian Historic Motif Project has a fairly expansive scope, covering not only women-loving-women throughout history, but also themes and motifs that can be useful when writing lesbian or sapphic characters, such as gender-crossing (which is nearly impossible to separate out) and singlewomen (because they speak to the possibilities for women who don’t marry for whatever reason). There are some topics where my coverage is limited due to logistical reasons, such as non-Western cultures, where research may not have been done yet or may not be accessible to me for language reasons. But the one area where I have deliberately limited the scope is in cutting off coverage around the beginning of the 20th century.
There are two reasons for that. Partly, it’s to keep the Project manageable. There is so much more information on lesbian history available after 1900 that it would swamp the coverage of earlier centuries. Just as any queer history project that aims to take a gender-neutral approach will inevitably end up focusing primarily on men, any history project that covers the entire time-span up to the present day will inevitable end up focusing on the 20th century. And I’ll be honest: I’m simply less interested in 20th century history. I’d rather focus deeply on earlier periods.
But the second reason is philosophical. There was a massive change in both professional and popular understandings of sexuality around 1900. The attitudes and experiences that we, as contemporary people, take for granted as “how things are” are a product of that change. That means it’s far more difficult to understand what queer lives were like before the 20th century based simply on projecting backwards. There’s something of an illusion that queer history has been a steady march of progress toward greater acceptance, openness, and rights. And therefore, if you want to know what queer lives were like in earlier centuries, you can just take the status quo of the early 20th century and project backwards.
Well, you can’t. It’s much more complicated than that. Earlier queer history was qualitatively different along many axes. Ideas that we take for granted today were invented—and invented for specific social and political purposes—in the period covering roughly 1880 to 1920, that is, a couple decades to either side of 1900. Some people will frame this as: “the concept of homosexuality didn’t exist before the late 19th century.” That framing leans too hard on presentism—on the idea that the current definitions and understandings of queerness take priority. On the idea that specific words are important and that if the word “homosexual” didn’t exist, then the concept didn’t exist. Continuity exists as well, whether it’s the constant background radiation of “people experienced and acted on same-sex desire” or whether it’s recurring cycles of particular expressions of that desire.
But within those types of continuity, there is a disruption that invented new ways of thinking about same-sex desire. We are still feeling the effects of those ways of thinking to this day. And the name of that disruption is “sexology,” the idea that gender and sexuality can and should be studied as a medical phenomenon, whether biological or psychological, and that—because it is a medical phenomenon, it is defined as an illness to be treated or prevented. Now, to be clear, older attitudes toward queerness aren’t “better,” given that they include things like “it’s a sin,” “it’s a crime,” or “it’s a mistake of nature,” but they were different.
Today’s podcast looks at the rise of sexology, its principles, its cast of characters, and the ways in which it affected the lives of queer people ever since. With, of course, a specific focus on women-loving-women. Because sexology categorized all female-bodied people together, and because the question of distinguishing physiological sex from gender identity is one of the key concepts of sexology, I’m going to use “women” as a shorthand for “female-bodied people” most of the time. It’s not the ideal choice, but it’s a practical one.
The Roots of the Medicalization of Sexuality
The medicalization of sexuality did not suddenly pop into existence in the 1880s, elbowing out prior framings that it was an issue of morality, or in some cases criminality. We can trace medical theories about sexuality and health back to the “masturbation panics” of the 18th century, which alleged that masturbation (but not heterosexual intercourse) could lead to physical and mental debility. In the 19th century, the newly invented idea (associated with the Victorian age) that an active sex drive was a masculine characteristic and that women were “naturally” (in scare-quotes) passive during sex meant that women expressing active sexual desire could be diagnosed as abnormal. This had clear consequences for lesbian sex as it required one or both women to experience an active sex drive.
Medicalization of non-normative sex meant that even if specific sexual expressions were not criminalized—and this was generally the case for lesbianism—they could be stigmatized as an illness that required treatment or at least suppression. But this illness model of same-sex desire still viewed it as something that could happen to anyone, given the right (or rather, the wrong) conditions. One aspect of sexology was that it began associating this supposed illness with an identifiable type of person.
One precursor to sexological theories was the condition labeled “neurasthenia,” sometimes referred to as “nervous exhaustion”—a condition particularly assigned to women. The general idea was that an “irritation” of some part of the body or mind would trigger symptoms elsewhere in the body, such as fatigue, anxiety, headaches, depression, fainting, and heart palpitations. (Readers of 19th century novels should find this all very familiar.) And what types of irritation caused neurasthenia? Here every doctor had his own theories. In fact, if you had a patient with these symptoms, you could pretty much always find some sort of trigger to blame it on. It could be mental stress or intellectual exertion. (This was a popular reason for forbidding women to engage in intellectual pursuits.) It could be social isolation or, conversely, the stresses of urban life. And, most pertinently, it could be caused by insufficient sex, too much sex, or the wrong kind of sex. The most benign treatment recommended was a “rest cure,” separating the patient from the stresses that were believed to have caused the condition. Needless to say, this was a cure—and to some extent, a diagnosis—that was primarily available to middle and upper class patients.
Neurasthenia was generally considered to be distinct from hysteria, with the former being considered a physical illness and the latter a mental one. But the two had a significant overlap, though generally “hysteria” was a label only applied to women. In both cases, with the rise of sexological theories many of the symptoms previously attributed to neurasthenia and hysteria were attributed to the effects of psycho-sexual illness, with the added belief that it not only had a physical cause, but that there was an inherited component. This would bring eugenics into the mix.
One additional medical field that contributed to sexology was the study of intersex conditions. Western culture had long had ideas about biological sex existing as a sliding scale from masculine to feminine, with the possibility of people inhabiting an intermediate position, either in terms of physiology or psychology. This had primarily been a legal concern, to determine which gender category the person should be placed in under the law. Advances in the study of anatomy and improved understandings of the biology of reproduction in the later 18th and 19th centuries pared away some of the mythology around the topic, but the idea that there was a physiological basis to gender identity persisted. What the sexologists added was the idea that this physiologically-based gender identity could be at odds with one’s apparent anatomy. They were sooooo close but, as we’ll see, they hadn’t managed to escape rigid binary thinking.
The Political Context
In addition to setting the medical stage for the development of sexology, we need to review the legal and social context. Given that the medicalization of sex had been going on for about a century, and given that the Enlightenment had pushed all sorts of topics toward a more scientific approach, why did the “science of sex” arise in the specific era when it did?
One factor was changes in legal systems that gave certain people an incentive to address the topic. The legacy of medieval law in continental Europe identified sodomy as a crime, though it was confusing and ambiguous regarding whether sex between women was included. But the Napoleonic law code, which was promulgated well beyond the borders of France proper, removed homosexuality as a crime, although it did forbid public sex and any type of coerced sex. This resulted in Germany being a patchwork of approaches, depending on whether a particular region had adopted the Napoleonic Code or not, and of course England continued to outlaw male-male sex on the basis of the 16th century Buggery Act which did not cover women.
The rise of nation-states in Europe was accompanied by gendered socio-political concepts. Cultural and linguistic nationality tended to be viewed as feminine, with female virtue being essential to the purity of the national culture, while the political apparatus of the nation-state was viewed as masculine, with all the stereotypical masculine virtues associated with it. “Unmanly” men were a threat to the integrity of the nation-state while unfeminine women were a threat to its culture. To the extent that women in same-sex relations appeared “feminine” they were both legally invisible and politically unthreatening. But men in same-sex relations were an existential threat to the state.
At the same time, the coalescence of independent polities into nation-states, as in Germany and Italy, meant that legal systems needed to be standardized. In Germany, this meant standardizing on a prohibition of male-male sex in the 1871 law known as “Paragraph 175.” (There was later an attempt to add women to this statute, but it failed.)
In the United States, due to the federal legal structure, any laws specifically addressing homosexuality continued to be local, but a national tendency towards anti-sex laws can be seen in the Comstock Act of 1874 which banned “obscene” material from the U.S. Mail, covering personal correspondence as well as published material. Explicitly homosexual material would automatically be classified as obscene.
Why were these legal changes a trigger for the rise of sexology? Because some of the earliest proponents of sexological theories were homosexual men in Germany who had had the legal rug pulled out from under them and set out to convince the world that sexual orientation was a neutral, inborn condition that should not be criminalized. We’ll get back to that in a little bit.
Sexology, in theory, should have been gender-neutral in its principles and consequences, but the world is not gender-neutral and one other critical factor in how things played out was the rise of feminism and the “New Woman” who demanded equality in public life.
There have been a number of cycles of feminism across the centuries, but we’re talking about the one developing in the later part of the 19th century which focused on aspects like access to employment, the right to property, and eventually the right to vote. In part, women were agitating for structural changes, but in part they were just going out and doing the things. They were getting higher education, entering professions, and exploring ways of living that didn’t require marriage to a man. Because education and professions were strongly male-coded, many women saw adopting some aspects of a masculine presentation either as a practical necessity or as a way of being taken more seriously, or simply as aligning with their self-image. Because marriage to a man was, in general, incompatible with having a profession or with pursuing academic or artistic interests, such women often formed their primary emotional and social connections with other women.
These “New Women” came from many different backgrounds with many different economic, political, and social agendas. Some had the type of wealth that insulated them from other people’s opinions. Some were barely getting by and took on male-coded jobs out of economic necessity. Some were idealists who saw a feminist revolution as the salvation of humanity. Not all of those had the same vision of what a feminist revolution would look like. What they all had in common was that they challenged patriarchal ideas of what women should do and be. And that made men nervous. (It also made many women nervous.)
Based on both the actual lives of these women and satires poking fun at them, we can identify some of the features that were considered symptoms of rejecting a proper feminine role:
These “New Women” were distinct from female-bodied people who presented as men—so-called female husbands and passing women—because the latter generally didn’t challenge gender roles, they simply quietly appropriated an existing one. But the former staked a claim on new ways of being women, as women.
In addition to the visibility of the feminist movement, in its many forms, there was a growing visibility of urban homosexual subcultures, in places like Paris, Berlin, and New York. These were primarily male-focused, but there was also a pattern of women with same-sex desires migrating to cites and creating their own communities, or integrating into gay male or artistic communities. Visibility generated anxiety as well as fascination, and it was becoming harder for conservative middle-class people to simply ignore the existence of same-sex erotics.
The Theoretical Framework
When all of these factors came together, Western culture was ripe for Something to happen. And that something was sexology. When putting together this episode, I went back and forth a lot on whether I should introduce the theoretical framework of sexology first, or discuss the people who developed it first. So I’m going to split the difference and give a brief overview of the ideas, then a chronology of the key figures and their contributions, then return to elaborating on the theories and their consequences.
The field of sexology encompasses several different theoretical models, but they all have certain principles in common. Masculine and feminine are distinct and identifiable states of being, composed of a group of features that include physiological features, including not only primary and secondary sex characteristics but other aspects of physical health and appearance, as well as intellectual and psychological features, including how romantic and erotic desire is expressed, and behaviors including preferences in dress. The default expectation is that these features will align either with a female archetype or a male archetype. If there is misalignment among these features—that is, if some fall in the masculine category and some fall in the feminine category—this represents an abnormal and even pathological state that will manifest either in deviant behavior or as illness, both physical and psychological.
The theories diverge on some other points. Is this misalignment—or at least a predisposition to misalignment—an inherent condition or is it acquired in some way? If it is acquired, is it due to some personal experience, perhaps in childhood, or because of some environmental factor? Can the misalignment itself be corrected, or is any treatment only focused on its secondary consequences?
We’ll come back to the specifics of these models after meeting our cast of characters.
The Big Names in Sexology
The earliest work in sexology was done in Germany, with interest spreading further as that research was disseminated and reacted to. The general consensus identifies Karl Heinrich Ulrichs as the starting point. Ulrichs was not a medical professional—he was a lawyer in the civil service—but he was also a gay man and believed that his sexual desire for men was a natural and inherent aspect of his being. Before he began publishing on the topic in the 1860s, he quit his legal position due to fears about blackmail, and came out to his family and friends, though initially he published under a pseudonym. In 1862 he came up with the term “Urning” or Uranian which he described as a female soul within a male body, the way he conceived of his identity. He considered this to represent a “third sex” neither male nor female. In theory there was a female equivalent—a male soul within a female body—but Ulrichs’ activism was focused on men and, like other sexologists who used the term, he viewed the “third sex” as an inherently masculine phenomenon. In the 1860s and ‘70s he published regularly arguing in defense of homosexuality and the need for legal reform, but later left Germany for exile in Italy.
He corresponded regularly with others entering the field, not only in Germany but elsewhere in Europe. These discussions are the context in which much of the standard terminology evolved including “homosexuality” (initially as German Homosexualität) and “contrary sexual feeling” (as German conträre Sexualempfindung). The biggest part of Ulrichs’ legacy was to start a conversation that quickly spread throughout the Western world, as seen by the first use of the term “sexology” in a U.S. publication in 1867, as well as “sexual inversion” which quickly became established as a standard term. But it was for others influenced by Ulrichs to blend his ideas with existing medical frameworks, especially his countryman, Richard von Krafft-Ebing.
Krafft-Ebing was the power-lifter of sexology, taking a very different approach from Ulrichs. He was a neurologist and psychiatrist and developed his theories primarily through case studies of criminals and patients being treated for psychological disorders. His theory was that “sexual inversion” was a congenital condition that reversed the alignment of gender characteristics and the physical body. His model rested on the principle that everyone was actually heterosexual (and therefore apparent homosexuality was due to having an inverted gender identity), and that gender identity was identical to the prevalent social stereotypes of gender (and therefore acting contrary to those social stereotypes was a symptom of gender inversion). His theories conflated what would later be distinguished as homosexuality and transsexuality.
Krafft-Ebing was not burdened with the empathy that Ulrichs and some other researchers derived from having same-sex desires themselves, and one of his specialties was the relationship between psychiatry and criminality. Given that all the homosexuals he studied were either criminals or mentally ill, he naturally concluded that homosexuality was a causal factor in criminality and mental illness. But wait! They couldn’t help it—their condition was due to hereditary factors and a family history of a “nervous taint.” These unfortunate homosexuals shouldn’t be pursued by the law, but rather should be treated by modern medicine. His arguments for decriminalization of male homosexuality were ignored, but his monumental work, Psychopathia Sexualis, became the foundational text of sexology, exploring in great detail all types of sexual deviancy, which he defined as any kind of non-procreative sexual activity.
Krafft-Ebing’s work had certain flaws. He developed his theories and then shopped around in his data to find cases that supported them. His data had no control set, relying entirely on individuals who came to his attention for some other problem. And he tended to discount the experience of people who aligned with the social stereotypes for their gender. There was no place in his classifications for femme-femme couples; his classification of female inverts only included feminine partners of “masculine” women, cross-dressers who took on some masculine attributes, “fully-developed” inverts who not only adopted masculine dress but took a male social role including a female partner, and the extreme case of women who lived completely male lives (which would previously have been called “female husbands” or “passing women”). He considered these four distinct categories, rather than points along a continuum of gender identity.
Given that Krafft-Ebing saw male and female homosexual acts as equivalent, he argued that since women’s acts weren’t criminalized, neither should men’s be. This had something of the opposite effect from what was intended, as sex between women had historically been treated as “not really sex,” and that was one basis for not criminalizing it. If, as he argued, women were, indeed, having real sex with each other, maybe that needed to be scrutinized more closely. We’ll discuss some of the fallout from that later.
We now move across the channel to the English physician and social reformer Havelock Ellis. Ellis was, let us say, an interesting character. He was at the same time a political progressive and a eugenicist. He experimented with psychedelic drugs and documented those experiences. He knowingly married a lesbian and had an open marriage, then proceeded to be grumpily jealous of her girlfriends. And he wrote the first English language textbook on homosexuality, Sexual Inversion, in 1897.
His work on homosexuality was full of contradictions. He didn’t consider it a disease, a moral impairment, or a crime, and yet he associated homosexuality with “lower races” and degenerate parts of society. He was fixated on the social and ethnic heritage of his patients. And one of his arguments for decriminalizing and destigmatizing homosexuality was so that homosexuals would be open about their orientation and would feel free to avoid marriage, thus taking themselves out of the gene pool in a self-correcting mechanism. (He also supported feminism and birth control for eugenics reasons.)
Although he considered male and female homosexuality to be equivalent, he thought they had distinct causes. Men might be homosexuals due to a congenital predisposition—after all, attraction to masculinity was perfectly natural and expected. But female homosexuality was due to a lack of access to heterosexual marriage. They were rejected or surplus women, thus they flourished in homosocial environments like schools and convents. Personality traits that he found admirable, such as intellect and forcefulness, were coded as masculine, therefore women who had these traits were inherently masculine and if they found no productive outlet for their abilities they would naturally turn to criminality. He constantly looked for physical characteristics of this inherent masculinity, but never considered their absence to be meaningful.
I don’t mean to overlook the sexological literature in other countries. Italy had a proliferation of publications beginning around 1880, with a special interest in female homosexuality, especially in all-female institutions. French researchers, too, had a particular interest in lesbianism. U.S. physicians read up on the literature coming out of Europe and began applying it to their own patients. A paper applying a sexological diagnosis to a “female husband” case appeared in the U.S. in 1883 and may well be the first such case study published there as well as an early example of the word “lesbian” used unambiguously in America for a female same-sex relationship.
But let us move on to another major player, Magnus Hirschfeld. Like Ulrichs, Hirschfeld was not simply a writer on the topic of queer sexuality, but also a gay man and an activist for the decriminalization and public acceptance of homosexuals and transgender people. He began studying gay subcultures in Germany and elsewhere in the mid 1890s and began publishing on the topic in 1896. His position was that homosexuality was a biologically-based, naturally-occurring phenomenon. Unlike some other sexologists, he made a clear distinction between homosexuality and cross-dressing or transsexuality. He subscribed to the idea that sex, gender, and sexual orientation all existed on independent spectrums and that individual identity was due to positioning on those sliding scales. This put him at odds with some of his followers who looked to a classical Greek model for male homosexuality and rejected the idea that there was any aspect of femininity involved. Hirschfeld supported feminism and was involved in successfully preventing an attempt to add lesbians to the anti-gay laws in Germany.
In 1908, Hirschfeld started publishing the Journal of Sexology (Zeitschrift für Sexualwissenschaft) and in 1919 he founded the Institute for Sexology, collecting and contributing to studies and publications on gender and sexuality. In the 1930s, the Institute was targeted by Hitler for elimination, and familiar photographs of Nazis burning bonfires of books are of the destruction of the Institute’s collections in 1933. At the time of the attack, Hirschfeld was abroad on a lecture tour. He never returned to Germany but continued to lecture and publish in exile.
The last of our prominent sexology pioneers, illustrating the shifts in focus of the field, is Sigmund Freud. While Freudian theories are probably familiar to most, the key elements with regard to sexual orientation are that he rejected the congenital theory of sexuality and gender identity and instead saw non-normative identities as deriving from experiences, especially in childhood, that disrupted what he considered to be the expected progress of sexual development. Like Havelock Ellis, Freud made qualitative distinctions between male and female homosexuality, rather than viewing them as directly equivalent. He viewed lesbianism as an imitation of masculinity due to the infamous “penis envy” that supposedly led women to take on male attributes (including desire for women) due to a deep-seated desire to become a man. He believed that homosexuality—like all neurosis—was curable by encouraging the patient to remember, identify, and come to terms with the experiences that had triggered it. Freudian approaches to psychiatry were industry-standard well past the mid-20th century, entrenching his attitudes towards sexuality into Western culture.
Concepts in Sexology
So let’s return to exploring the theories and consequences of the sexological approach as they addressed homosexuality.
Causation
As we noted in the brief overview, successive theories ascribed homosexuality to a succession of causes. In the 1880s, the popular theory was a physical cause, perhaps a “nervous disorder,” but there were also traces of earlier theories that specific anatomical features might predispose someone to same-sex desire. For women, this included the mythical enlarged clitoris—a motif that was still appearing in sex manuals in the 1960s, by the way. As a physical ailment, it could be treated by physical methods, including surgery to remove the clitoris. This recommendation appeared in medical manuals, though it appears to have been done rarely and was considered to have dangerous side effects.
By the 1890s, the focus had shifted to a congenital predisposition due to a mixing of male and female elements in the personality. If homosexuality was an inherited condition, then it should not be treated as criminal. The symptoms could be managed, but not cured. An extreme version of the congenital theory was to classify inverts as biological hermaphrodites, with “structural cellular elements of the opposite sex.” This helps explain the undue interest doctors took in recording the genital anatomy and menstrual habits of patients being examined for lesbianism. But all manner of behaviors were considered to be part of this inherited package, including preferences in play and dress, styles of social interaction, and whether one was passive or active during sex.
The principles of genetic inheritance were being developed in the mid-19th century and social scientists eagerly seized on the idea that certain personality characteristics could be bred into or bred out of a population. Hence, the birth of eugenics. We’ll get back to eugenics is a little bit. This congenital theory reached its apex around 1900, due to the support of people like Havelock Ellis, but then began to shift to focusing more on personality features than anatomy. This was summed up in the idea of a “female soul in a male body” or “male soul in a female body”—a concept raised decades earlier by Karl Ulrichs. As noted previously, this idea was rejected by some male homosexual activists in the first decade of the 20th century who drew on classical motifs and disliked being considered in any way feminine.
The final stage was the Freudian approach that homosexuality and other neuroses were acquired due to early experiences and was not an inherited condition.
Eugenics and Criminality
Freudian psychology failed to dissuade the eugenicists, who combined initial understandings of heredity with racism, sexism, and classism to conclude that civilization was undergoing a dangerous slide into “degeneracy” that could be addressed by controlling—or at least encouraging—human breeding restrictions to eliminate undesirable behaviors such as poverty, crime, and mental deficiency, among which they classified deviant sexuality.
Classism within sexological research meant that middle and upper class individuals who sought medical help for some unrelated issue tended to have their homosexuality classified as an illness, while lower class individuals who came to the attention of authorities for reasons related to poverty and crime tended to have their homosexuality classified as just another symptom of their underlying immorality.
Sexism meant that the relationship between homosexuality and criminality was proposed differently for men and women. Havelock Ellis, for example, despite his asserted belief that homosexuality should not be considered criminal, thought that lesbians were more likely to incline to crime due to their underlying masculine nature.
Researchers who considered homosexuality to be an inherited condition may have thought they were arguing for tolerance and acceptance, but they provided fodder for those who thought it could be bred out of the population. The most benign version argued that if queer people didn’t have to hide their natures, then they would choose not to breed on their own. Most opinions were not that benign.
Eugenicist theories of degeneracy tended to not only clump all undesired behaviors under that label, but considered them to be inherently associated. The preexisting criminalization of homosexual behavior resulted in an assumption that homosexuals were inherently criminal and that this would manifest in all manner of ways. If someone committed a crime and was then discovered to be homosexual, that was fastened on as the cause for their criminality, no matter how tenuous the connection.
For lesbians, the most persistent motif was their association with prostitution. Even when lesbianism itself was not illegal, as in France, its presence among communities of sex workers was considered an aggravating factor.
The influence of sexology on criminal cases varied considerably. In England, sexology seems to have had little impact on legal arguments, with courts continuing to divert anxieties around lesbianism (which, as you’ll recall, wasn’t illegal there) into convictions for fraud and such. The most public clash between sexological theories about lesbianism and the courts came in the obscenity trial over Radclyffe Hall’s novel The Well of Loneliness. We’ll talk about Hall a bit later.
In America, sexology might be used to successfully argue that a crime was due to insanity, if the defendant was homosexual, as in the case of accused murderer Alice Mitchell in the 1890s.
Implications of the Models
Let’s circle back to examine some of the structural implications of sexuality models such as “gender inversion” and “a third sex.” The basic concept of “gender inversion” was that a person’s physiological sex was at odds with the binary gender category associated with their personality and behavior. Since these gender categories included an assumption of heterosexuality, we can shorthand gender inversion as “everyone is heterosexual, but some people are transgender.” Early concepts of inversion were far more focused on gender presentation than the object of sexual desire, so even nominal heterosexuality was not a defense against being diagnosed as having gender inversion. But sexual desire for someone with the same physiological sex was a certain symptom of gender inversion.
In theory, this meant that only effeminate men and masculine women were classified as “inverts”. The femme partner of a masculine woman could escape the label—especially as there were still lingering traces of assumed female passivity. She could be assumed to be just accepting the attention, perhaps overwhelmed by the forceful (read: masculine) personality of her lesbian partner, or even specifically attracted to her partner’s masculinity. For men, there was a longstanding assumption that if you were always the “active” partner in sex and had no effeminate mannerisms, then you didn’t have to consider yourself homosexual. This assumption was beginning to weaken, as gender inversion diagnoses in men focused primarily on sexual behavior. But for women, the focus was much broader, encompassing social, not just sexual, behavior—especially behavior that challenged traditional roles for women. We’ll get back to that a bit later.
Eventually, the gender inversion model split into considering gender performance and sexual orientation as separate considerations, though still ascribing the results to an underlying disorder of gender identity. When this happened, femme lesbians became more visible to the professional establishment. Rather than treating them as passive objects who simply accepted the attentions of their partner, much in the same way that the wives of “female husbands” had been viewed over the previous couple of centuries, they were increasingly viewed as actively choosing to engage in lesbian partnerships. The underlying assumption that a femme partner could be “saved” by the intervention of a Real Man began to collapse. This had a number of other social consequences that we’ll get to later.
While the basic model for gender inversion relied on a binary understanding of gender—everything was classified according to male or female—some researchers proposed the idea of a “third sex” or “third gender” that was neither male nor female. (This wasn’t quite equivalent to the current concept of non-binary identity, as I understand it. Rather, it was a specific and distinct gender category—a gender “trinary” as it were.) Third gender concepts struggled for coherence because they were mostly developed focusing only on male-bodied people. Thus the “third gender” consisted of male-bodied people who didn’t behave according to traditional masculine gender stereotypes. But they behaved quite differently from female-bodied people who didn’t behave according to traditional feminine gender stereotypes. So either there was a masculine third gender entirely separate from a feminine third gender, or…well, let’s not try too hard to make it make sense.
When applied to women, the idea of a third gender wasn’t necessarily about sexual desire, but more about rejecting traditional roles and behaviors. As such, it was often applied to feminist activists or professional women, with the implication that they’d removed themselves from the category of “woman” and therefore were something different, but certainly not men.
One consequence of the third (or fourth?) gender model was that, rather than forcing people to confront challenges to traditional gender roles, it simply removed problematic people from those roles and put them in their own separate space.
Both the invert and third sex models were eventually displaced by Freud’s ideas about homosexuality representing a displacement of desire to an inappropriate object, lumping homosexuality in with fetishism, pedophilia, and bestiality.
Flaws in the Data
By this time, the careful listener should have noticed a handful of things that bring the validity of sexological research into question. The first item is problems with the data it’s based on. Most sexological research involved either individuals in the criminal justice system or individuals who had entered treatment due to serious emotional or behavioral problems. If you study homosexuality in people who are accused criminals or who have symptoms of mental illness, it’s hard not to conclude that homosexuality is associated with criminality or mental illness, even when the triggering problem had nothing to do with sexuality. There is no control group. These medical professionals had little access to homosexuals who were leading happy, problem-free lives, because those people weren’t talking to them. Havelock Ellis paid lip service to recognizing that many people were homosexual without any sort of morbid symptoms, but as his writings only focused on disturbed individuals, it was easy to miss that acknowledgement.
There was also a voyeuristic streak in sexological case reports. Psychiatrists were fascinated by—one might almost say obsessed with—the odd, the unusual, the shocking. Foucault calls it a “pornography of the morbid.” This can be especially notable in studies of lesbianism, where the (male, always male) researchers zero in on all manner of details of their patients’ sex lives and reproductive anatomy.
Misogyny and Gender
And that brings us to one of the larger elephants in the room. Sexology researchers—like the vast majority of medical professionals at the turn of the century—were men. They were men in a society that discouraged and set barriers against the open and candid discussion of social and political issues between men and women. They were men within a society that not only had unexamined assumptions and beliefs about gendered behavior but that viewed any challenge to those assumptions and beliefs as a type of mental illness itself.
Although some sexologists were themselves homosexual, they had a narrow focus on the experiences and concerns of gay men and more or less ignored female homosexuality except as it could be shoehorned into their theories about men. It was important to them to shape the field in a way that empowered and protected homosexual men, but in some cases their arguments actually harmed the position of lesbians.
Differential Consequences
When sexology wasn’t being indifferent or ignorant about the specific situation of women, it was being actively hostile. Because gender roles covered a broad scope of behavior, there were many aspects of life where women claiming the right to participate fully in society resulted in being accused of acting like a man. In the past, this might have been said with a hint of admiration, but sexology turned it into a symptom of mental illness.
This was particularly acute in relation to experiencing sexual desire. The idea that women were naturally sexually passive was a brand new idea in the 19th century, but that didn’t stop people from treating it as an incontrovertible fact. Therefore, while men with same-sex desires were judged for the object of their desire, women were judged for simply having desires in the first place. Desire was masculine. A desiring woman was acting from an inherent masculinity regardless of the object of her affection.
In turn, any evidence of rejecting a traditional feminine gender role could be seen as evidence of lesbianism. Havelock Ellis claimed that lesbians typically had some degree of “masculinity” in their clothing (despite making a distinction between transvestism and homosexuality for men) and noted that other symptoms of lesbianism included “…brusque, energetic movements…direct speech…[a] masculine straightforwardness and sense of honor…” alongside “a dislike and sometimes incapacity for needlework and other domestic occupations.” (Because, as we all know, sewing and housework are genetically-determined skills!) Whether rejecting feminine behavior led to lesbianism or lesbianism resulted in rejecting feminine behavior, sexologists generally agreed that the two went together. Feminism itself was viewed as a symptom of mental illness because it involved rejecting a role that was considered to be biologically based. To struggle against society’s view of woman’s place was to have an inverted gender identity.
This hostility is especially notable in contexts where sexologists are arguing for greater tolerance and compassion for male homosexuals, but persist in framing lesbians as simply “imitating men”.
Thus we see that the rise of sexology had very different consequences for women and men. By focusing attention on lesbians, it created a climate of homophobia for them that had previously leaned towards benign neglect. In some ways, one of the underlying purposes of sexology was to provide a scientific basis for male supremacy. Even when Freud’s followers shifted the focus from a biological basis for homosexuality to an experiential basis, this shift was applied to men earlier and more strongly than it was for women, whose behavior continued to be treated as congenitally determined.
Pathologization of Female Friendships
One of the most significant consequences of sexology for all women, regardless of gender presentation, was the way it pathologized all close female friendships. Since sexual activity, as such, was not a requirement for a diagnosis of lesbianism, and since it was being established that women did experience sexual desire, therefore the effusive expressions of love between romantic friends that had previously found approval, now were seen as symptoms of “inversion,” especially if one of the pair could in any way be found to have a “masculine” presentation. Keeping in mind that a “masculine presentation” could include things like a love of active sports, a desire for independence, or seeking a profession outside the home.
With the shift in models from “gender inversion” to “inappropriate sexual object” in the first decade of the 20th century, Krafft-Ebing’s category of “passive lesbians”—that is, women in same-sex partnerships that did not have a masculine presentation—became a topic of greater interest. Once femme partners were fully categorized as lesbians, raising the possibility of femme-femme lesbian couples, the medical establishment began pathologizing all intimate same-sex friendships This was a topic of special concern in single-sex institutions such as schools, convents, and gender-segregated work environments.
Any close emotional relationship between women was now viewed as symptomatic of lesbian potential and thus of indicating or causing mental illness. Therefore, for the health of all involved, such close friendships must be managed or suppressed. This was a massive change. Rather than society encouraging gender-segregated socializing and treating women’s friendships as a positive force, women now found themselves second-guessing any context in which an emotional connection with another woman might seem more important than their hypothetical relationships with men. We’ll come back to trace the consequences of this in the next section.
Consequences
We’ve said that sexology changed everything. We’ve looked at how sexological theories came into being, why they developed at the particular time they did, and what understandings of the world they reflected and promoted. Now let’s look at how things changed. What were the practical consequences, not only for those women who got caught up in the machinery of medical and psychiatric practice, but for all women?
Some consequences were societal. After initial victories of feminist movements to gain voting rights and access to broader employment opportunities, aided by the practical need for female labor during World War I, there was something of a retrenchment. The female social and political networks that had driven that progress had become suspect, and even many who had participated felt the need to step back from the spotlight for a while. Or they chose to clearly dissociate themselves from the more extreme figures in their movements who were now being labeled deviant. Within this context, shifting professional concern from “inversion” to “homosexuality” made it possible to overlook the unstoppable aspects of the feminist movement while narrowing the scope of persecution to more marginalized groups.
Some consequences were mixed in effect. Medical models of lesbianism didn’t create lesbian subcultures or identities, but they opened up conversation and exploration. They promulgated images that women could compare themselves to. The image of the lesbian “invert” as a sophisticated, urban, mannish socialite was based on existing social developments. The concept of a female-bodied person having a masculine identity had existed for centuries, but now people had a framework for considering themselves to be part of a larger picture, even if it was one that denigrated them.
By the early 1920s, many lesbians were internalizing the message that not only were their sex lives dangerous and perverse, but their underlying love of women was equally perverse even if never acted on sexually. Interviews with women in this era give evidence of pervasive internalized homophobia that was not generally evident in earlier decades. They saw their lives reflected in an increasing number of homosexual characters in novels in the 1920s and 1930s which typically echoed sexological models, even when depicting the characters sympathetically.
But even as newspaper accounts turned real women’s lives into fictional narratives that were, in turn, appropriated by sexologists as “case studies”, these images were being reclaimed by actual women as identities. As women reacted to sexological theories and began challenging their conclusions based on their own lived experience, we begin to have commentary, letters, diaries, and literature that express the queer female experience from a first-person viewpoint. Ironically, the sexological category of the “true congenital lesbian” gave some women a basis for embracing this identity and claiming a right to live their lives openly. And they didn’t swallow the sexological models uncritically. A study in 1929 regarding gender roles within lesbian partnerships found some women rejecting the idea of “husband-wife” roles, either by alternating who took on which gendered role or by refusing the label entirely.
When we study the lives of people whose lives spanned the rise of sexology, we can see them reacting to and being influenced by those theories. In the well-documented life of Francis “Frank” Shimer, we see her embracing a succession of models, from the “tomboy” to the romantic friend to the masculine-identified intellectual to the confident and secure “new woman” who rejected pathological interpretations of female masculinity.
The impact of sexology on the lives of female-bodied people was gradual and variable, but we can trace the process through several specific categories.
Female husbands/passing women
The group that most closely aligned with early sexological theories, but that may have been least impacted by them, was female-bodied persons living as men, historically identified as “female husbands” or “passing women.” For convenience, I’m going to refer to “passing women” with no intent to make claims about their individual identification. While newspaper accounts of passing women were part of the data that sexologists used in their analysis, it seems to have been relatively uncommon for such people to end up as psychiatric patients, short of some individual crisis. This may be related to the fact that they generally came from the working classes while psychiatric patients tended to be wealthy.
One notable exception is the case of Joseph, formerly Lucy Ann, Lobdell who was admitted to an asylum for depression and dementia and was written up in one of the earliest American sexology case studies in 1883. The study specifically references Krafft-Ebings work and uses the word “lesbian” in the context of Lobdell’s common-law marriage. Lobdell is unlikely to have been aware of sexology theories and simply considered himself a man. Lobdell’s wife, on the other hand, is on record stating that she saw “nothing strange in two women living together,” reflecting a pre-sexology attitude toward female partners.
We can see the gradual intersection of sexology and passing women in their treatment in popular media and interactions with medical professionals. In the mid 18th century, American media tended to “feminize” passing women, emphasizing (or inventing) conventionally femininity and backstories involving heterosexual relationships. In England, 19th century cases tended to be treated as isolated situations, generally driven by economic concerns, but public interest in passing women had faded in England by mid-century. During the trial of cross-dressing thief Lois Schwich in London in 1886, sexological theories were never mentioned. By then English law took little notice of passing women, as such.
By the 1890s, American passing women were more likely to be described as appearing and acting masculine, generally with an implication that people believed their outward appearance. But in the first couple decades of the 20th century, they were being described as physically robust and noted as being awkward and unattractive if required to wear women’s clothing. While these descriptions don’t directly reference sexological theories, they reflect the same changing attitudes.
But though the idea of the “sexual invert” was spreading in America by the 1890s, there wasn’t an instantaneous change in how it was applied or how individuals reacted. In 1903, after Joe Monahan’s physiological sex was identified after death, the media returned to an older pattern of retroactive feminization, complete with invented motivations involving “man troubles” and fake images of Monahan in a hoop skirt, two decades after Joseph Lobdell was being analyzed under Krafft-Ebing’s theories. In 1912, Oregon newspapers described Harry Allen as a “sexual invert,” while only a few years later in a California courtroom Eugene De Forest ascribed his gender identity to his parents’ desire for a son and no mention was made of “inversion.” In 1917, Alan Hart, having studied sexological theories in medical school, and having gone through cycles of depression as a result of internalizing those theories, went to a psychiatrist and asked for assistance in transitioning to living entirely as a man.
While earlier centuries had recognized a wide variety of motivations for passing women: economic, practical, personal, and romantic, sexology flattened all of these into a diagnosis of “gender inversion,” but at the same time offered new ideas of what to do with that diagnosis.
The Mannish Lesbian
Perhaps the most iconic image of lesbianism associated with sexological theory is British author Radclyffe Hall and her self-insert protagonist Stephen Gordon in The Well of Loneliness. Published in 1928 at a time when the concept of “sexual inversion” was solidly established in popular culture, Gordon reflected both Hall’s own experience of upper-class women who adopted male-coded dress and habits to assert their place in the literary and social world, and the image of the tragic mannish congenital invert, doomed to fall in love with a “normal” woman who must be allowed to leave for the love of a “real man.”
While the 19th century sexologists may have focused over-narrowly on the “mannish lesbian” type in their attempt to categorize sexual behavior, they did not invent the characteristics and behavior assigned to this model but rather pieced it together out of the rising urban lesbian culture they had access to. The roots of this type can be found in people like French painter Rosa Bonheur who, in the 1880s shared her life with a woman and habitually wore male-coded clothing, but didn’t identify her dress as part of a sexual identity, rather embracing the freedom from gender roles that it represented. Lesbian culture in the Parisian demi-monde of the Belle Epoque was another source of imagery. But such figures were not the only modus vivendi for self-identified women who loved women. To some extent this “mannish lesbian” archetype was fastened onto as the precise mirror to the “effeminate gay man,” rather than because it was the only model in existence.
Aimée Duc’s 1901 novel in German Sind es Frauen? (Are These Women?) provides a wider variety of images of women who loved women, and does it in a positive and non-tragic story. The story centers on a group of female friends, most of whom met as university students in Geneva. They refer to themselves as belonging to a “third sex” in contexts that make it clear this refers to their love for other women (or perhaps other female members of the “third sex”). These characters (and their real-life counterparts) don’t fit neatly into the categories set up by Krafft-Ebing and others. They are not “inverts” nor do they sort out into distinct categories of female masculinity. The characters spend much of their time discussing gender and sexual politics and critiquing sexological theories.
The predominance of the image of the “mannish lesbian” meant that the female partners of such women could escape the label of “lesbian” even as late as the mid-20th century. It also contributed to the temporary dominance of the archetypal butch-femme pairing, which pervaded lesbian culture well past mid-century.
Not only did the “mannish lesbian” archetype have little room for femme partners, it also glossed over those who used masculine presentation to critique cultural prescriptions and restrictions based on gender. But the lesbian archetype was used as a weapon against those women who adopted male-coded dress or behavior out of a desire for independence, education, and social freedom, but who did not have sexual or romantic desires for women. The conflict drove a wedge between potential allies.
Romantic Friendships and Schoolgirl Crushes
That alliance was perhaps more hypothetical than actual. Women of the romantic friendship/Boston marriage persuasion had long strategized to avoid scrutiny of just how erotic their relationships might be. Sexology blew the lid off, but that didn’t mean that women whose relationships had previously been open and accepted were now eager to make common cause with those who hadn’t been similarly flying under the radar.
But sexology didn’t mean a sharp end to romantic friendship-style relationships, or that such women automatically reclassified themselves as sexual deviants. For one thing, as noted, romantic friendships had always needed a certain amount of self-conscious public relations to avoid accusations of being dangerous or immoral. There was no idyllic era of blissful innocence.
At the same time, positive depictions of romantic friendships were still appearing in women’s and girls’ magazines in the first decade of the 20th century. Love poetry between schoolgirls was published in school magazines. Stories about college romances between women are common, and the gender-segregation of colleges encouraged these friendships to have the trappings of courtship and dating, via activities such as all-woman dances.
As a specific example, the relationship of Rose Cleveland and Evangeline Simpson Whipple began when they met in 1890 and clearly had an erotic aspect at the time. When they moved in together in 1910, there is no indication in their correspondence that they considered themselves to be sexual deviants, but they did take what may have been a precaution of choosing to live abroad.
General suspicion of close romantic friendships between women wasn’t common until the wake of World War I, in the context of much greater female autonomy and the rising influence of Freud both on psychiatric thought and on popular culture.
By the 1920s, an unselfconscious approach may have no longer been tenable, as even someone immersed in openly queer culture like Gertrude Stein couched her erotic expressions in stylized poetic language and allusions. Or maybe that was just Gertrude being Gertrude.
The transition from “innocence” to suspicion of passionate friendships can be traced fairly precisely in published works. In the 1928 novel We Sing Diana by Wanda Fraiken Neff, the protagonist contrasts her experiences at college in 1913, when “crushes” between girls were widespread and considered normal, and the 1920s when she returns there to teach and finds everyone talking about Freud and accepting the stereotype of the “masculine” lesbian. A similar comparison can be made between two autobiographical publications by Mary MacLane, written in 1902 and 1917 that show the same shift. Clemence Dane’s 1915 novel Regiment of Women focuses on a predatory lesbian schoolmistress. By the 1910s advice literature aimed at American schoolgirls had begun to warn of the dangers of “crushes” and too-close friendships. Schools and organizations in England were a bit behind America in this respect. Crushes continued to be a staple of single-gender organizations such as Girl Guides and in the genre of boarding school literature until perhaps the 1920s when they began being portrayed as a negative influence and suggestive of homosexual tendencies.
From these examples, we can see the shift—not in what women were feeling and doing, but in how they had been taught to understand those feelings and actions.
Summary
What I’ve tried to show in this, perhaps overlong, essay is how the introduction and dominance of sexological theories produced a sea change in the popular understanding of queer women during the decades around the turn of the 20th century. What had previously been a number of distinct types of experience—passing women, romantic friendships, gender transgression, sexual partnerships which may or may not have involved female masculinity—were conflated and flattened under the umbrella of “gender inversion” and labeled as a psychological illness, with only a slight modification to allow for distinguishing homosexuality and transsexuality.
Perhaps even more importantly, sexology moved discussion about homosexuality into the public forum and introduced the language and imagery of medicalized sexuality into general awareness. While medical or physical causes for lesbianism had been among the wide array of explanations in previous centuries, now they became the dominant model. Lesbianism could no longer be simply a personal taste, a libertine excess, or a natural expression of romantic love; it was a disease. It became much harder for any particular woman to avoid the knowledge that medical professionals considered the feelings she had for other women and the ways she wanted to express her identity to be not simply “unnatural” but perverted and sick. Not only the medical establishment, but one’s family, friends, and neighbors had all been given a framework for scrutinizing any indication of particular affection between women. The morality campaigns of the 1930s and the queer-baiting of the 1940s and ‘50s cast a pall whose shadows still linger today.
Regardless of the specific forms their lives took, the experiences of queer women before the 20th century and of queer women during the 20th century were vastly different in a way that can be difficult for us to imagine today. Sexology created the ocean we’re swimming in. But when writing fiction about those lives, the differences are crucial to an accurate depiction of the past.
Show Notes
In this episode we talk about:
Links to the Lesbian Historic Motif Project Online
Links to Heather Online
This is the second of the two papers on the history of sexology that I pulled out in preparation for a podcast.
Chauncey, George, Jr. 1982. “From Inversion to Homosexuality: Medicine and the Changing Conceptualization of Female Deviance” in Salmagundi 58-59 (fall 1982-winter 1983).
This article focuses on the end of the 19th century as the era when a medical model of homosexuality replaced a religious/moral model, creating the conditions for the idea of belonging to a sexual minority. Starting with the first publication of a medical paper on “sexual inversion” in Germany in 1870, the next few decades saw increasing interest from medical professionals in the topic. However Chauncey argues that a direct connection between medical publications on the topic ad the rise of self-conscious identities is far from established, or that homosexuals accepted the medical model uncritically. In particular, that view—that sexology invented homosexual identity—ignores preexisting evidence for subcultures and concepts of identity, even when documented in the medical literature itself. The author notes other issues that complicate this connection, such as the restricted social class that most medical studies were drawn from. He recommends non-medical and more personal records, such as diaries and letters, as a field that would provide balance.
Rather, Chauncey suggests, medical literature in America (the article’s focus) could be understood as a response to social change around sexuality at the turn of the century, rather than a driver of it. Medical literature initially conceived of “sexual inversion” as a broad and diffuse category of behavior that deviated from normative sexual and gender roles. Only later, several decades into the development of sexology, was homosexual desire distinguished in this literature as a distinct concept, rather than being considered a simple consequence of an underlying gender identity.
Further, sexology did not develop in a social vacuum. The challenges that the women’s movement made to normative gender roles and the increasing awareness of urban gay male culture are among the factors causing social anxiety that medical sexology claimed to explain and manage. A parallel is drawn between the rise of the idea of “social Darwinism” and challenges to racism and colonialism. One of the implicit purposes of sexology was to justify male supremacy as biologically determined. And this helps explain some of the differences in how the field treated male and female homosexuality.
The heart of this article is a review of 85 medical publications in the USA between 1880 and 1930, discussing how they reflected and responded to changes in society.
The medicalization of sexuality can find roots in pseudo-scientific theories that shaped the Victorian era about male sexual agency and female sexual passivity. Within this framework even women who expressed active sexual desire within a heterosexual marriage were seen as suspect. This lesbianism was inherently deviant as it required at least one of the female partners to experience and express active sexual desire. Active desire was a masculine trait, therefore a woman expressing sexual desire for a woman was behaving in a masculine fashion. [Note: This idea dates far earlier than the Victorian era, of course.] As a consequence of this pre-existing framing, sexological literature described the sexuality of lesbians as a sort of pseudo-male aggressiveness. A corollary was that just as male sexuality was understood to be aggressive and uncontrolled (the onus was on women to “control” men either by being virtuous and untouchable, or by being prostitutes and unconditionally available), lesbian desire was assumed to be uncontrollable and thus required professional treatment to suppress it.
Nineteenth-century gender roles went beyond what happened in bed, therefore the required “feminine passivity” extended to social roles and interactions, and “inversion” was assumed to apply to all manner of behavioral interactions and personal presentation. This could be identified even in childhood by a preference for play associated with a different gender. A 1921 article asserted that female “inverts” could be identified by wearing male-coded garments like tailored suits (even those that included a skirt), certain hair styles, an aversion to corsets, by drinking, smoking, whistling, and being “very independent in her ways.” (Similar assertions were made about identifying male inverts.) In this all-encompassing view of gender identity, researchers could be contradictory. Havelock Ellis, while claiming that transvestism was separate from homosexuality, nonetheless claimed that lesbians typically had some degree of “masculinity” in their clothing, alongside “…brusque, energetic movements…direct speech…masculine straightforwardness and sense of honor…” alongside “a dislike and sometimes incapacity for needlework and other domestic occupations.” [Note: It’s hard not to connect these opinions with the classic “not like other girls” traits of supposedly progressive literary heroines, who habitually reject corsets and despise needlework. Gender essentialism comes in many forms.]
Early versions of the “inversion” theory of homosexuality meant that the object of desire was less relevant than gender presentation. A “masculine” woman was an invert even if happily married to a man (who then would be assumed to be effeminate to some degree, or else he wouldn’t be attracted to her). But by 1900 this had shifted to distinguish homosexuality more clearly from gender presentation, as in Freud’s language about “sexual object.” But this shift was more solidly and earlier applied to men than women and became part of arguments for tolerance and acceptance of male homosexuals, while the same was not argued for lesbians. Even as men were allowed to be “manly” and yet desire men, women were still being characterized as generally “masculine” if they desired women.
Early sexological literature functionally ignored the femme partner of women identified as “inverts,” treating them as passive objects who simply accepted the attentions of their partner, much in the same way that the wives of “female husbands” had been viewed over the previous couple of centuries. Toward the end of the period under consideration, these femme partners were increasingly viewed as actively choosing to engage in lesbian partnerships, rather than being hapless “victims” of the aggressive sexuality of the “actively inverted woman.” But the underlying assumption supported the idea that a femme partner could be “saved” by the intervention of a Real Man.
It can be easy to see how this assumed gender-role-binary works to reinforce itself by ignoring or shoehorning likely counterexamples. If lesbians are always inherently masculine, then a femme-femme couple will be overlooked by those trying to identify lesbians. A quote in the article from Havelock Ellis notes, “we are accustomed to a much greater familiarity and intimacy between women than between men, and we are less apt to suspect the existence of any abnormal passion.” [Note: And if both partners participate in female masculinity—whether in dress, or in behavior—it was common to assign one partner as the more masculine, based in minor differences in occupation or personal habits. This can be seen even before the application of sexological frameworks when partners in Boston Marriages are analyzed to determine “which was the husband and which the wife.”]
Once the shift from “gender inversion” to “sexual object” became established in the first decade of the 20th century, and “passive lesbians” became a topic of greater interest, the medical establishment turned their attention to pathologizing intimate same-sex friendships in single-sex institutions such as schools, convents, and gender-segregated work environments. Now that these relationships were a topic of study, surprise! researchers found that partners might alternate the “husband/wife” roles, or even claim “that they did not think of it in that way.” (Quoted from a 1929 study.) Such relationships had, of course, existed previously, but had been outside the scope of study due to not overtly challenging gendered behavioral norms.
The medical approach to homosexuality shifted in parallel with general medical trends. Where doctors in the 1880s had ascribed inversion and other “nervous disorders” to a physical cause with physical symptoms that could be treated, and argued that homosexuality was pathological rather than criminal, as the 1890s progressed, the “somatic cause” of nervous disorders was increasingly ascribed to congenital defects, which could be managed but not cured. An extreme version of the congenital theory was to classify inverts as biological hermaphrodites, with “structural cellular elements of the opposite sex.” This helps explain the undue interest doctors took in recording the genital anatomy and menstrual habits of patients being examined for lesbianism. This physiological approach faded early in the 20th century but lingered in a form of “psychic hermaphroditism”—the “male soul in a female body” explanation (initially raised as early as the 1860s by Karl Ulrichs). As eugenics became a popular theory, homosexuality was frame as part of a general “degeneration” of civilization to a less evolved state. [Note: Of course, eugenics and theories of degeneration applied to many other social anxieties, such as non-Anglo immigration.] Early proponents of gay acceptance in the 1910s countered this with arguments from Classical civilizations, which of course focused only on male-male relations.
Class issues infiltrated the medical literature in how patients from different social strata were differentially diagnosed: middle-class patients being identified as suffering from illness, while working-class patients were written off as immoral. Lesbianism was claimed to be rife among domestic servants (who might teach it to the children of their employers) and especially among prostitutes where it was assumed to go hand-in-hand with general criminality.
The congenital theory of homosexuality promulgated by Havelock Ellis and others was in the ascendent around 1900, but began to be challenged by Freud and his followers who saw it as an acquired condition due to interactions of family dynamics. (Though many professionals worked with a mixture of the two approaches.)
The article most to a conclusion with a consideration of why gender/sexuality became a topic of medical interest at the specific time when it did, and why the focus shifted in the ways it did. The author focuses strongly on the lesbian angle (in addition to the increasing visibility of gay male subcultures), in the context of challenges to Victorian sex/gender stereotypes and the “resexualization” of women at the beginning of the 20th century. The women’s movement in the late 19th century challenged social and political limitations placed on women (and were achieving a certain amount of success in that field). Declining marriage and birth rates among the white middle class and the intrusion of women into previously male-only fields, created what some identified as a “masculinity crisis” in the decades around 1900. There was a perception that women were having undue influence on society and in the workplace. Within all of this, the identification of women’s challenge to assumed norms as a “disease” enabled authorities to undermine and stigmatize it, rather than having to address the challenge on its merits. Not only were the women who challenged gender restrictions themselves “diseased” but their dismissal of domestic and material duties produced another generation of degenerates. Within this framework, gay men, rather than joining the crusade against the New Women, were rejecting their own masculinity and contributing to the degeneration of society. And to a limited but meaningful extent, the women were “winning.” Meaningful female employment increased. Campaigns for suffrage and prohibition were successful. [Note: Whatever one might think about the advisability or lasting impact of Prohibition, it was a symbol of female political power.] Women were once again recognized publicly as sexual beings. And professional attachment to the idea that gender roles were natural and inherent began to weaken. Within this context, shifting professional concern from “inversion” to “homosexuality” allowed a backing off from the unstoppable aspects of these changes while narrowing the scope of persecution to more marginalized groups. Women could be actively sexual, even outside marriage, but only heterosexually. The homosocial bonding that had supported suffrage and other aspects of the women’s movement could be stigmatized, weakening political momentum. Homosociality was replaced by a greater acceptance of mixed-sex socializing, including “dating culture” and the promotion of marriage as a woman’s primary social context.
Thus, Chauncey concludes, while the shifting medical discourse from 1880 to 1930 did not drive these social changes, it provides a fertile field for studying them in all their intertwined complexity.
In addition to tackling some USA-related articles, I've picked the rise of sexology as this month's podcast topic, hence the choice of a couple of items on this topic to post. Sexology and its consequences are about half the reason why the Lesbian Historic Motif Project cuts off around 1900. The other half of the reason is that information on lesbians in the 20th century is so much more plentiful that it would swamp earlier material (and the earlier material is where my heart is). But mostly, models and understandings of lesbianism changed significantly around 1900. It wasn't an instant change or an unprecedented change, but it marks a difference that writers and readers of sapphic historicals should keep strongly in mind. (Listen to the podcast next week for more on this.)
Black, Allida M. 1994. “Perverting the Diagnosis: The Lesbian and the Scientific Basis of Stigma.” Historical Reflections / Réflexions Historiques, vol. 20, no. 2, pp. 201–16.
This is an overview of the rise of sexological theories about female homosexuality. The field consistently made connections between homosexuality and neurosis in women, as well as connecting the former with “inversion” or masculinity. Different part of the field gave different weight to ideas of genetic versus behavioral causes. There were also systematic ways in which the sexological approach to homosexuality differed for men and women. But the overall concept pressured women with homoerotic feelings to consider themselves mentally—and perhaps physically—ill.
Much of the theory came out of the idea of “neurasthenia”—an idea that ills in one part of the body could produce effects in a different part. Thus “unnatural” exertions of the mind (i.e., women thinking too much) or reproductive system (i.e., non-normative sex including masturbation or lesbianism) could cause chronic physical ailments of all sorts, and conversely, that all manner of physical ailments could be traced back to objectionable mental or sexual activities.
This combined with eugenicist theories that some women had a genetic predisposition to “sexual inversion,” which encompassed both female masculinity and homosexuality. To varying degrees, this genetic predisposition was thought to produce masculine attributes or even create a “third sex” that was no longer female but not fully male. In any degree, it was considered to predispose the woman to homosexuality.
Such was the acceptance of these theories within the field that diagnosis ignored possible non-biological factors. The genetic aspect led sexologists to believe they were arguing for tolerance of a condition that the woman couldn’t help, but in practice, homosexuality was depicted as a dangerous “disease” that could, at best, be suppressed in the individual. The only cure and only moral path was complete abstinence.
Due to this connection being made between lesbianism and mental illness, there was a general social shift to suspicion of any emotional relationships between women that were viewed as symptomatic of lesbian potential. And it was considered impossible for lesbian relationships to be happy and successful, even if deriving from an inherited predisposition. (For that matter, any behavior that deviated from the norm could be classified as “neurotic.”)
These theories of lesbianism as mental illness driven by genetic predisposition, developed by male professionals, based on case studies of women who had sought treatment for unrelated reasons, were then promulgated as fact. Any apparent contradictions could be explained away due to the inherent complexity and ambiguity of the theories.
(Male) sexologists such as Krafft-Ebing, Ellis, and Hirschfeld, while arguing for tolerance and compassion for male homosexuals, exhibited a distinct hostility toward lesbians and saw them as imitating men. This theoretical framework created a stereotype of the lesbian that included male-coded personality traits, an interest in active sports, a preference for male-coded hairstyles and clothing, and which fastened on the old myth of clitoral enlargement as either a cause or consequence of sex between women. Even when specific case studies of their patients contradicted this stereotype, sexologists dismissed their own recorded observations and searched for evidence of “neurasthenia” or “morbid” behavior.
Freudian theories of sexuality developed out of the field of sexology, further elaborating them based on the supposed dynamics of parental-object attachment. As with his predecessors, he could not work past the assumption that women’s resistance to gender-based social repression was itself a psychological “problem” to be cured. Thus, one patient’s “masculine” attributes and her desire for women was connected in his diagnosis with her feminism and “rebell[ion] against the lot of women in general.” The Freudian position that lesbianism was a toxic and “irreversible” abnormality persisted from the 1930s to the 1970s. Contrary evidence made no difference, as when one client of a prominent Freudian psychologist resolved her depression and suicidal thoughts only after accepting and embracing her lesbianism, but was dismissed with “but she’s still a lesbian.”
The basic Freudian position was that lesbianism was driven by envy of the penis (and what it stood for) leading to appropriation of masculinity to the extent possible, especially in terms of sexual object. Thus, went the theory, even if a lesbian achieved a successful relationship with a woman, she would be unhappy because her entire nature stemmed from an unaddressed (and unaddressable) frustration).
Some historians posit that by the early 1920s, lesbians were internalizing the message that not only were their sex lives dangerous and perverse, but their underlying love of women was equally perverse even if never acted on sexually. Interviews with women in this era give evidence of pervasive internalized homophobia that was not generally prevalent in society in earlier decades. The iconic example of this is Radclyffe Hall’s fictional alter ego in The Well of Loneliness. This era saw the rise of greater covertness and secrecy about lesbian relationships, even by those who had not succumbed to negative views of themselves. This, combined with socio-economic patterns regarding public socializing, contributed to the illusion that lesbians were less common than male homosexuals, and made lesbianism less easily studied (and thus, less studied).
[Note: One aspect of the sexological theories that is given little consideration in this article, but is discussed in other articles, is femme invisibility.]
Today's article is a survey of recent research in trans (and to a lesser extent, intersex) research on the middle ages.
Wingard, Tess, 2024. “The Trans Middle Ages: Incorporating Transgender and Intersex Studies into the History of Medieval Sexuality”, The English Historical Review, cead214, https://doi.org/10.1093/ehr/cead214
This article is a survey of recent work in trans and intersex historical studies covering the medieval period. Wingard notes that these topics have only been seriously included in book-length studies since 2020, following something of a hiatus in queer medieval history publications in general since the early 2000s. This particular survey focuses on work that studies “lived experience” via documentary sources and non-fiction texts, rather than a broader scope that includes literary and artistic materials.
Queer medieval history has revolved around three topics: identity, community, and repression. The first involves identifying individuals where there is probable evidence for sexual, romantic and intimate acts classifiable as queer, though the evidence rarely addresses interiority. Wingard notes the debt owed to approaches developed for women’s history to identify methods and approaches for marginalized subjects.
The field involves several significant theoretical disagreements of approach and method. One position argues against the concept of “persistent sexual identity” being meaningful in the medieval period, much less a clear binary classification of homosexual and heterosexual. In this context, “heteronormativity” is not a useful interpretive framework. Another position (which the author holds) is that while medieval concepts do focus more on acts than identities, there is a clear privileging of male-female relations, which are uniquely classified as “natural.” The result is difficult to distinguish from heteronormativity.
Studies into medieval community again hit a clear divide between those who reject Boswell’s image of an “international gay subculture” and those who more narrowly identify specific contexts for networks and normalized practices among queer men. [Note: And with regard to “communities” the discussion is entirely focused on men.]
The third theme relates to repression and persecution and the forces and logics that drive fluctuations in official attention to queer practices.
Having laid out the map of the field of queer history in general, Wingard discusses a number of very recent publications that explore new ground specifically with regard to trans and intersex studies. [Note: I’m not going to list individual titles, but many of them are on my shelves and will be blogged at a later date.] This field is moving on from anecdotal studies of specific individuals, to studies that address larger theoretical questions, such as philosophical and medical understandings of transness and intersex. These questions are relevant to the study of sex and gender in general because they challenge the nature and definition of sex and gender categories.
Trans history is based on several key principles: that gender is socially constructed, that biological sex itself is—to some extent—socially constructed (i.e., that societies have had different focuses and frameworks for determining how to classify someone as biologically male or biologically female), and that “individuals whose gender identity does not line up with their assigned gender at birth have always existed in all human cultures,” and have used various strategies to negotiate that mismatch. Wingard notes that using a trans history approach to these questions is productive regardless of whether the subjects of study can be considered “transgender” either by modern definitions or by some medieval analog. The parallel to Judith Bennett’s “lesbian-like” approach is noted. Several specific historic individuals are discussed to illustrate these points.
Intersex history also speaks to the social construction of sex and gender, as well as the agency that intersex individuals had to manage their own classification, within certain limits.
When I see pirate novels in the new book listings, I sometimes sigh over how all of them are based on a Hollywood-fantasy version of history. But then, this is part of a grand tradition, because the story we have about Anne Bonny and Mary Read is, itself, a fantasy version of their lives, written within existing fictionalized genres and carefully tailored to audience expectations.
Klein, Ula Lukszo. 2021. “Busty Buccaneers and Sapphic Swashbucklers” in Transatlantic Women Travelers, 1688-1843 edited by Misty Kreuger. Lewisburg PA: Bucknell University Press.
This article is something of a cross-genre, cross-temporal look at the representation of Anne Bonny and Mary Read as “sapphic pirates” and what part their stories have played within the constructed image of 18th century piracy and colonialism. (The introduction makes reference to their appearance in the video game Assassin’s Creed IV as well as the tv series Black Sails, and these depictions are also referenced later in the article.) It should be emphasized that pretty much everything we know about them has come through dubious sources created as both entertainment and as cultural propaganda, so while there is no doubt of the historic existence of the two women, the specific details that we “know” about them are of questionable historicity.
The women’s stories combined a number of established tropes prevalent in 18th century literature and media: the cross-dressing warrior, criminal biographies, and sexual narratives. These motifs are trans-national and typically work to “other” the women involved in order to comment on (and police) ideas about the role and proper place of women. As pirates, they participate in a culture defined by movement, independence from law and nationality, adventure, and danger. Standing outside social norms along several axes, their transgressive gender and sexuality in the stories are available to be viewed as entertainment, rather than a challenge to those norms. At the same time, certain elements of the stories strengthen and emphasize those norms and work to integrate the two women into a racialized image of white femininity even as they perform masculinity. In this, they illustrate the assimilation of pirate culture into a fictionalized world of (predominantly) white adventure and freedom.
The article gives the background of what it refers to as the “transatlantic” world and its relationship to, and contrast with, national structures and cultures. It also gives a brief background to the publication General History of the…Pyrates in its several editions by Charles Johnson, which is almost the sole source for information about Bonny and Read. The work was first published in 1724 and then republished across the 18th century with increasing modifications to the content. The initial edition appeared very soon after B&R’s convictions for piracy in 1720 and was based on the official trial report, as well as contemporary reporting. But even this earliest version, which can be suspected to be the closest to reality, includes details not present in these sources, including “origin stories” (a motif not included for any of the other pirates discussed in the publication) that parallel stock passing woman biographies, in which they are said to have cross-dressed as girls for somewhat implausible reasons. Due to the questionable veracity of the biographical material, the present article focuses solely on the narratives present in the General History. In particular, the article examines how the narrative emphasizes and supports their status as women and thus—despite the hints at homoerotic possibilities—situations them within a solidly heterosexual framework.
This work flourishes during a transition period in fictions of female adventure, between the adventurous heroines of Defoe and Aubin and the less transgressive ones of the later 18th century. They are allowed to represent themes of “female autonomy…[and] ambiguous virtue.” They are agents in their own stories, in contrast to the status of most women, constrained whether by class or propriety. Their stories can be compared to military passing women such as Hannah Snell, with B&R status as vicious outlaws contrasted with Snell’s image as a heroic and patriotic soldier. These differences stem, in large part, from their participation in pirate culture, even when the shape of the narratives parallel stories not involving outlaw status.
Both women were said to have begun cross-dressing at a young age, at the guidance of their mothers, and for deceptive purposes. Both were stymied in their ambitions by both gender and class and leveraged gender disguise to seize opportunities: Read volunteering as a sailor, in which context she was then briefly married to a fellow soldier, and Bonny to leave a problematic marriage and join Jack Rackam’s pirate crew in male disguise (with his knowledge). Both are framed as brave, fearless, and comfortable with violence. Although the initial version of the text indicated that Rackam purchased Bonny from her husband, later versions suggest that she was the one who arranged the move, reinforcing the image of agency.
The stories about the two women created a probably-invented contrast, with Read being the “virtuous” one, not entirely enthusiastic about pirate life but constrained by necessity, and Bonny being volatile and vicious, embracing piracy eagerly, and constantly contemptuous of men who she considered less able and bold than her. Neither woman is depicted as being subjected to an ultimate punishment for her deeds, with Read dying of illness in prison before sentencing and Bonny—after a temporary reprieve due to claiming pregnancy—was not executed but simply disappears from the historic record.
Despite Bonny and Read’s stories being firmly rooted in heterosexual partnerships with men, they are presented narratively as a pair and their interactions with each other are told more vividly than those with their male partners. The anecdote of particular interest to the Project occurs when Read first joins Rackam’s crew, when both women are presenting as men, and only Rackam knows Bonny’s underlying sex (and not Read’s). Although, textually, the interaction does not proceed to an erotic encounter, the reader not only is offered that as a possibility, but is relied on to consider it as legible and possible. This legibility is bolstered by the standard tropes of cross-dressing narratives (both those purporting to be biographical and those in outright fiction, especially in theater) in which the existence of a cross-dressed woman (much like Checkov’s gun) heralds an evitable incident of mistaken desires.
Bonny, supposedly believing Read to be a man, desires her and makes an advance. The truth of her motivations is made somewhat ambiguous by the phrase “for some reasons best known to herself” rather than describing the purpose as directly sexual. Read, supposedly believing this to be a (male) homosexual advance, deflects it. Bonny then reveals her sex to Read. At which Read reveals her own sex and the momentary erotic potential is converted into humor. The text notes that Read’s motivation to this deflection of the sexual advance is due to “being very sensible of her own incapacity in that way,” that is, knowing that she couldn’t “play the man” for Bonny, but with no overt indication that the idea itself was objectionable. Thus, on both sides there is an implied possibility of sapphic desire, carefully obscured by the ambiguities of disguise. After this mutual revelation, evidently their behavior toward each other changed sufficiently to arouse Rackam’s jealousy, forcing them to let him in on Read’s secret.
[Note: I’m going to summarize a little out of order in the following.] Both women have established heterosexual bona fides before this encounter: Read with a Flemish soldier, to whom she covertly revealed her gender, and Bonny via her initial abandoned marriage and then her relationship with Rackam. Both women are described as having other covert erotic encounters with men while still maintaining their gender disguise, but always with a gender reveal as preliminary. In these other encounters, the women reveal their gender by exposing their breasts “which were very white.”
Klein follows up in detail on one aspect of how this breast-revealing described: the whiteness of the breasts involved. This, Klein argues, is a key signifier that allows the audience to identify with the two women as characters worthy of freedom and agency, within the multi-ethnic (and racially stratified) transatlantic world. Their possession of white breasts establishes them firmly as women, and as acceptable sexual agents within the otherwise all-male pirate milieu. And the emphasis is not simply on having breasts (which one might think was sufficient to establish female identity) but on having breasts which signaled a specific ethnic and even class status.
This identity then provides the titillating contrast between B&R’s courageous and violent behavior (coded masculine) even as they are able to use their feminine status strategically (including after capture when they were able to invoke the possibility of pregnancy to defer judgment). But this strategy—as well as their acceptability as romanticized protagonists—rested strongly on whiteness and in turn served as part of the process of establishing the pop culture version of the golden age of piracy as a white domain, in contradiction to historic reality.
The article concludes with a discussion of the treatment of Bonny and Read in various modern media depictions, including leaning in to the sapphic potential.
[Note: Blogging this article has inspired me to track down the original source materials for what we “know” about Bonny and Read and I’ll put together an entry about that in the near future.]
Planning to be at Seattle Worldcon? Want to know what I'm doing there? Check out my schedule!
- Transcript
(Originally aired 2025/07/08 - listen here)
Welcome to On the Shelf for July 2025.
You might think that retirement means I’d never have a late podcast ever again, but here I am uploading it several days past the first Saturday. A certain amount of it is finding myself in the middle of “Time? What even is time?” But there’s another factor at play. They say that in retirement, every day is a weekend. Well, my weekends used to be jam-packed full of projects, and now every day is a weekend. On the plus side, I’m making a lot of progress on a lot of projects.
Publications on the Blog
I fulfilled my pledge to blog a publication every day in June for Pride Month, focusing mostly on materials relating to US history, which I’ve tended not to prioritize in the past. This included surveys of Colonial-era legal issues and cases, such as:
and
or similar issues in the post-Colonial period, such as:
Several articles looked at literary themes, such as:
and
Several articles examined transmasculine topics, such as:
and
And of course I spend over a week blogging Cleves’ book Charity & Sylvia: A Same-Sex Marriage in Early America.
Several articles tackled the process of researching queer lives or the historic resistance to doing so, such as:
and
And due to the vagaries of my process, some non-US topics slipped in, such as Theresa Braunschneider’s “Acting the Lover: Gender and Desire in Narratives of Passing Women.” It’s been a while since I covered that much material in a single month, so I guess I can be excused for getting distracted from writing podcast scripts!
News of the Field
Before I move on to the new book listings, I wanted to give a shout-out to that rare instance of sapphic characters in a historic tv series. Edith Wharton’s unfinished novel The Buccaneers follows the careers of a group of American heiresses looking to marry into aristocratic English society. There was a previous miniseries based on the same material in 1995 that stayed somewhat closer to the original material. The current show plays a bit more fast-and-loose with historic accuracy, introducing some race-blind casting and modern party-girl sensibility, but most pertinent to our interests, we get a sapphic romance that develops with the same scope and detail as several of the other relationships. This particular plot point does not exist in the original text, so we must be grateful to the producers for acknowledging that a female same-sex romance was solidly accurate for the period and working it in. We can’t yet know whether they’ll be allowed a happy ever after ending, but as the heterosexual pairings in the story don’t all get one, it’s probably a toss-up.
Recent Lesbian/Sapphic Historical Fiction
While pulling together this month’s new book listings, it felt like I was finding a lot of titles on the theme of unsent or lost letters, though some of them were part of the current flood of publications that smell like AI, so they won’t be mentioned here.
I’ve been doing some initial stats for this year’s books and one interesting—or possibly concerning—trend is the dearth of historicals from the small queer presses, though in exchange we’re getting a startling number from major publishers. I hope to get back to doing a deeper analysis at some point, though it means I have to go back and do a lot of data-coding.
There are a couple of May books that only just came to my attention.
The Housekeeper's Ledger by Allison Ingram has a solidly gothic feel to it, but it’s difficult to guess exactly when the story is set.
When Anna Hale takes a humble position as housekeeper at the sprawling Ashmore estate, she expects long days, silent halls, and the cold indifference of Lady Catherine Ashmore. What she doesn’t expect is a trail of secrets hidden behind locked doors, a crumbling legacy haunted by old debts, and the sharp undeniable pull between herself and the woman she serves.
As whispers of betrayal and scandal echo through the estate, Anna and Catherine must navigate a web of lies, dangerous rivals, and the looming threat of ruin — all while confronting the fragile, fierce love blossoming between them. In a world eager to break them, Anna and Catherine will risk everything to stand side by side, but surviving the storm will take more than trust. It will take a choice.
I’m not sure that I can give a recommendation to A Truthful Companion By My Side by Claudia Haase, although the historic setting looks solid, but the writing feels like a very awkward translation from some other language.
Princess Agatha is alone at court with her cultural interests and intellect. She does not find any suitable conversation partners in her companions and ladies-in-waiting. Her curiosity is aroused all the more by the smart Ernestine and her unconventional lifestyle - and finally she finds the person with whom she can share all her passions.
The young Countess Ernestine doesn't think much of the aristocratic goings-on at court. She represses the thought that she was once promised to a crown prince as his wife. However, she could imagine a life together with Princess Agatha. But no sooner have they become close than the royal family insists on an early wedding ceremony with Agatha's brother.
Immerse yourself in the love story of two aristocratic women who lived at Bergfels Palace and Sturmstein Castle in the transition from the 17th to the 18th century!
June books cover a fairly wide spread of eras, including some unusual ones.
Secrets at the Ambrose Café by Carryl Church from Choc Lit Historical Romance is set in England just after World War I.
Two women. Two different worlds. One secret that could ruin them both.
Exeter, 1925. Della Wilde has set aside her dream of moving to Paris to study at the renowned Le Cordon Bleu, choosing instead to support her family torn apart by war. By night, she works at the prestigious Ambrose Café, serving the city’s elite — she feels utterly invisible.
Until a chance encounter with rebellious Alice Winters, the daughter of a powerful MP, upends Della’s world.
Alice is a woman caught between duty and desire. She secretly yearns to be an artist but is expected to marry a respectable suitor and raise a family. Della, with her sharp wit and quiet strength, is unlike anyone she has ever known. She makes Alice feel alive.
So she draws Della into her orbit — first as a muse for her secret art, then as something infinitely more intimate. But in a world where reputations are easily shattered, their growing bond is a danger that threatens not only their futures, but those around them.
As Alice risks scandal and Della faces the consequences of following her heart, they must decide: will they allow others to choose their path, or dare to forge their own?
Salt in the Silk by Delly M. Elrose sounds like it’s telling a Titanic story in an alternate form, set a decade earlier on a fictional ship.
1898. Aboard the RMS Victoria’s Grace, bound from Liverpool to New York, two women from opposite worlds collide: one born into ivory and etiquette, the other into soot and survival.
Catherine Ashbury, a refined upper-class heiress, is being shipped off across the Atlantic for an arranged marriage to save her family’s dwindling fortune. Cloaked in silk, obedience, and unspoken longing, she’s resigned to her fate—until she meets a girl who lives with no rules at all.
Nell Nolan, a tough and clever third-class passenger from East London, is an orphaned pickpocket disguised as a seamstress. With calloused hands and a pocket full of stolen coins, Nell isn’t afraid of breaking laws—or hearts. She boards the Victoria’s Grace with a stolen ticket and nothing left to lose, desperate to start a new life in America.
Their first meeting is accidental. Their second, unforgettable. What begins as curiosity becomes defiance—then desire. But love is dangerous in the shadows of a ship ruled by class, reputation, and silent codes. And when disaster strikes in the icy Atlantic, Catherine and Nell must face a choice no woman should have to make: Love, or survival.
A couple years ago I listed the first book in the Lavender and Foxglove series by Hilary Rose Berwick, set in a medieval convent in a world with a bit of magic. Somehow I missed books 2 and 3 when they came out—A Bounty of Bitterwort and A Rondel of Rosemary—but now book 4 turned up on my radar once more: A League of Lavender. Now I only wish the series was available somewhere other than Amazon because it sounds intriguing but not quite intriguing enough to drop my ethical objections.
Within the convent walls, the pestilence has largely passed, and Prioress Emmelot des Étoiles has a new conundrum: how, exactly, do bones become relics, and what will it mean for her convent when the pilgrims come to see them? Of more concern is the king's increased interest in those with magic sheltered by holy orders, including Emmelot's beloved, the novice Ysabeau.
But before she can solve those problems, Emmelot discovers the infirmary holds an unknown body with no signs of pestilence: a young woman clutching a posy of lavender — a sign of the conflict between followers of the old gods and the new. Now Emmelot must solve this murder before a longstanding feud erupts into open warfare.
In Her Own Shoes (The Ferrier Chronicles #1) by Mark Prime is another book with a medieval setting. I was a bit thrown by the title, because I’ve never encountered any adage similar to “in her own shoes” and can’t quite figure out what spin it’s trying to give.
In a castle built on legacy, one woman dares to claim her own name.
England, 1425. Tamworth Castle stands as a fortress of stone, secrets, and centuries-old power. When Elizabeth de Ferrel arrives to marry into the Farrier family, she isn’t stepping into a life of privilege—she’s walking straight into a battleground.
To secure her inheritance, Elizabeth must wed Sir Thomas Farrier, the ambitious heir of a noble bloodline now clinging to its influence. But she brings with her more than a title—she brings a dagger, a sharp wit, and a past she refuses to bury.
Inside Tamworth’s walls, every gaze has weight. Elizabeth forms an unexpected bond with Mae, a dark-haired scullery maid whose loyalty cuts deeper than her silence. Meanwhile, Griselda, the stone-faced housekeeper with more secrets than the cellar, watches Elizabeth’s every move—not as a threat, but perhaps as a guardian. And in the shadows, young Jonah, a servant boy marked by trauma, carries a truth that could set the castle ablaze.
When a bishop dies under mysterious circumstances, and Elizabeth receives a lock of hair as warning, alliances fracture, hearts are tested, and no one escapes untouched. Whispers rise of a Black Nun haunting the chapel—a spectral reminder that Tamworth remembers every sin carved into its walls.
At the heart of it all: a woman who refuses to shrink. Elizabeth isn’t interested in being the lady of the house. She wants to rule it. And she’ll do it in her own shoes.
The Letters Beneath Her Floorboards by Mira Ashwyn is one of those “unsent letters” stories I mentioned above, this time with a supernatural twist and stories in parallel timelines.
One letter. One mystery. One chance to heal.
When Rae Ashcroft returns to her late grandmother’s coastal estate, she isn’t looking for closure—she’s looking for silence. Haunted by a past she’s tried to bury, Rae just wants to escape. But the creaking old house has other plans.
Beneath a warped floorboard, she discovers a letter.
Written decades ago by a woman named Elise, the message unravels a forgotten love story between two women—one that was silenced, hidden, and never resolved. Drawn deeper into the mystery, Rae begins uncovering secrets Elise took to her grave… and uncovers echoes of her own.
At the heart of it all is Camille: the fiercely gentle, storm-eyed artist living next door. Rae doesn’t want to fall for her—but Camille is patient, kind, and maddeningly persistent. As the two grow closer, past trauma rises like a tide, threatening to drown the fragile trust Rae is learning to rebuild.
But someone is watching. The more Rae uncovers, the more dangerous things become. And the more she realizes—Elise never left. And maybe… she never meant to.
We get another medieval romance with lots of danger and angst in House of Ash and Honor by W.S. Banks.
When duty demands sacrifice, love demands everything.
Lady Avilene Northcliff has always been the perfect noble daughter—until her family arranges her marriage to the cold and calculating Lord Westmark. Desperate to escape a loveless union, she flees to the one place no one would think to look: the estate of her family's sworn enemies.
Lady Elara Blackwood should turn away the Northcliff daughter seeking sanctuary. Their houses have been locked in bitter feud for twenty-five years, built on lies, betrayal, and bloodshed. Instead, she offers shelter to the woman who ignites feelings she never knew existed.
As forbidden attraction blooms between them, both women discover that the enmity dividing their families rests on a devastating deception. When explosive family secrets surface, Avilene and Elara must choose between the safety of silence and a love that could cost them everything.
In a world where women's hearts belong to others, two enemies will risk everything to claim their own destiny.
The July books are mostly 20th century settings, or close enough. And as usual, the rhythms of pre-publication publicity mean that they’re almost all from major publishers.
Lavender & Gin by Abigail Aaronson leans in to the current fashion for Prohibition stories.
Taking on her brother’s identity has given Kasia almost everything she wants: money, power, a gang to call her own in Prohibition-era Detroit. Until a new police chief threatens to destroy everything she’s worked for, and a beautiful woman tempts her to expose her secret.
After a decade disguised as her missing twin brother, Kasia leads a gang running liquor for the most powerful mob in the city. The ruse gave her a foot in the door, but in order to keep her position—and more importantly, to keep money flowing in for her and her sick mother—she has to be willing to do whatever it takes. And what it takes is cold calculation and a ruthless hand. She needs both in spades when a new police chief is determined to eliminate Detroit’s mafia, a threat to destroy everything she’s built.
When Kasia learns Sophia—a glamorous flapper who owns an underground queer club—has an unusual hold on the supposedly-incorruptible chief, Kasia wants in on Sophia’s secret. Blackmailing Chief Harding could protect her gang and give her a leg up in the mob’s ranks. But her plan unravels when she falls for Sophia’s fiery spirit and sophisticated charm. After years of avoiding relationships to protect her identity, her feelings for Sophia lead Kasia to take bigger risks than ever. Risks that endanger her gang, her secret, and her life.
Emma-Claire Sunday follows up on last year’s Regency romance The Duke’s Sister and I with another Regency, The Fortune Hunter's Guide to Love once more from Harlequin Historical.
How can Lady Sylvia save herself from financial ruin?
Step 1: Move to the seaside for the summer, where there will be no shortage of wealthy bachelors holidaying.
Step 2: Strike a deal with local farmer Hannah. If Hannah can help Sylvia bag a rich husband, Sylvia will fund Hannah’s dream of opening a cheese shop.
Step 3: Charm their way into luncheons, parties and exclusive balls, but do not start to confuse friendship with romantic feelings for Hannah.
Step 4: Focus on her fortune-hunting scheme and do not let her heart get carried away by her unexpected and magical kiss with Hannah!
With a title like The Rebel Girls of Rome by Jordyn Taylor from Harper Collins, one might guess we were looking at a classical setting, but this one is a dual-timeline story set during World War II and the contemporary era.
Now:
Grieving the loss of her mother, college student Lilah is hoping to reconnect with a grandfather who refuses to talk about his past. Then she receives a mysterious letter from a fellow student, Tommaso, claiming he’s found a lost family heirloom, and her world is upended.
Soon Lilah finds herself in Rome, trying to unlock her grandfather’s history as a Holocaust survivor once and for all. But as she and Tommaso get closer to the truth—and their relationship begins to deepen into something sweeter—Lilah realizes that some secrets may be too painful to unbury…
Then:
It’s 1943, and nineteen-year-old Bruna and her family are doing their best to survive in Rome’s Jewish quarter under Nazi occupation. Until the dreaded knock comes early one morning, and Bruna is irrevocably separated from the rest of her family.
Overcome with guilt at escaping her family’s fate in the camps, she joins the underground rebellion. When her missions bring her back to her childhood crush, Elsa, Bruna must decide how much she’s willing to risk—when fully embracing herself is her greatest act of resistance.
Another story using that popular motif of dual timelines via historic research is The Secrets of Harbour House by Liz Fenwick from Harper Collins.
When Kerensa is sent by her father’s auction house to catalogue a neglected house overlooking the sea in Newlyn, Cornwall, it’s a welcome escape. Once the home of two female artists, Harbour House is a treasure trove, but one painting in particular catches Kerensa’s eye – a hypnotically sensual portrait of a beautiful young woman which dominates the hallway.
Captivated and intrigued, Kerensa finds herself piecing together the enigma of Bathsheba Kernow, a fiercely talented young artist who left St Ives almost a hundred years before, eager to escape a society that wouldn’t understand her, and her sweeping journey from the underbelly of Paris to the heady luxury of Venice, where a chance encounter would change her life for ever, drawing her into the most dangerous and forbidden of love affairs.
For Kerensa, still reeling with a grief of her own and facing an uncertain future in love, Harbour House will have secrets that will change her life too, and in ways she could never have imagined…
It’s fairly rare to find sapphic stories set in non-Western cultures written from within those cultures but there have been several in the past year. This month’s candidate is Whispers Beneath the Banyan Bath by Moon Heeyang, set in Korea, although I’m not quite sure of the date as the reference is to a dynasty that lasted for five centuries.
In a world where lineage rules and silence is survival, two women in a noble Joseon household discover a forbidden love that defies rank, custom, and time.
Soona, a humble maid, and Lady Hyeon, the daughter of the house, share stolen glances in the steam of the bathhouse. What begins as duty unfolds into desire, and soon into a secret bond.
But when their love is seen—by the Lord himself—everything changes. A proposition is made. A second wife is named.
And both women find themselves pregnant.
Whispers Beneath the Banyan Bath is a lyrical, emotional, and unflinching tale of queer motherhood, silent rebellion, and love that grows like magnolia in the cracks of stone.
The Original by Nell Stevens from W.W. Norton & Company has a twisty plot that looks like it has a lot of layers.
In a grand English country house in 1899, an aspiring art forger must unravel whether the man claiming to be her long-lost cousin is an impostor.
An unwanted guest of her uncle’s family since childhood, Grace has grown up on the periphery of a once-great household. She has unusual predilections: for painting, particularly forgery; for deception; for other girls. Her life is altered when a letter arrives from the South Atlantic. The writer claims to be her cousin Charles, long presumed dead at sea. When he returns, a rift emerges between family members who claim he is an imposter and Grace’s aunt, who insists he is her son. Grace, whose intimate knowledge of fakes is her own closely guarded secret, is forced to decide who to believe and who to pretend to believe. In deciphering the truth about her cousin, she comes to understand other truths: how money is found and lost, and who deserves to be rich; what family means to queer people; and the value of authenticity, in art and in love.
Skating the edge of my definition of historical fiction, we have Wayward Girls by Susan Wiggs from William Morrow Paperbacks, where the lesbian is one of a large cast of characters.
In 1968 we meet six teens confined at the Good Shepherd—a dark and secretive institution controlled by Sisters of Charity nuns—locked away merely for being gay, pregnant, or simply unruly.
Mairin— free-spirited daughter of Irish immigrants, committed to keep her safe from her stepfather.
Angela—denounced for her attraction to girls, sent to the nuns for reform, but instead found herself the victim of a predator.
Helen—the daughter of intellectuals detained in Communist China, she saw her “temporary” stay at the Good Shepherd stretch into years.
Odessa—caught up in a police dragnet over a racial incident, she found the physical and mental toughness to endure her sentence.
Denise—sentenced for brawling in a foster home, she dared to dream of a better life.
Janice—deeply insecure, she couldn’t decide where her loyalty lay—except when it came to her friend Kay, who would never outgrow her childlike dependency.
Sister Bernadette—rescued from a dreadful childhood, she owed her loyalty to the Sisters of Charity even as her conscience weighed on her.
Wayward Girls is a haunting but thrilling tale of hope, solidarity, and the enduring strength of young women who find the courage to break free and find redemption...and justice.
Finishing up this month’s books we have a mid-century rural English romance: Miss Veal and Miss Ham by Vikki Heywood from Muswell Press. This is another book where my impulse is to buy it, but the publisher makes that difficult, not because of my Amazon blockade this time, but because they only distribute ebooks through one particular obscure phone app. Ah well.
Public companions, private lovers.
It is 1951 and behind the counter of a modest post office in a leafy Buckinghamshire village Miss Dora Ham and Miss Beatrix Veal maintain their careful facade as respected local spinsters. But their true story is one of passion: suffragist activists who fell in love at a rally in the 1900s, danced in London's secret gay clubs between the wars, and comforted one another during the first night of the Blitz. Together they have built a life of quiet dignity and service in rural England. Now over the course of one pivotal day their carefully constructed world begins to fracture. Through Beatrix's wry perspective we witness the severe impact of post-war changes on their peaceful existence. Changes that will lead to heart-breaking decisions for Miss Veal and Miss Ham. At the heart of this intimate, moving and witty novel is a story of resilience, the dignity of love that cannot be spoken, and the challenges that come when the future no longer feels safe.
What Am I Reading?
So what have I been reading this month, once I get past the complex logic of how I want to acquire and read books? I often have three novels going at a time: one in hard copy, one in ebook, and one in audiobook. The different formats help me keep the stories separate in my head, but that was a bit trickier than usual this time because Joanna Lowell’s A Rare Find (my audiobook) and Lindz McLeod’s The Unlikely Pursuit of Mary Bennet (my print book) are both Regency romances and overlapped so solidly in feel and reading period that I kept having to remind myself which story I was in. Not that the stories are that similar in plot or characters, but if I had it to do over I’ve have avoided overlapping them. A Rare Find has a lot of resonances with the author’s Victorian-era story A Shore Thing which you may have spotted if you listened to my interview with the author. In addition to interesting gender choices, they share a tendency to pack the story full of subplots. So if you like a lot going on, this could be your thing. The Unlikely Pursuit of Mary Bennet is a fairly standard “let’s pick a couple of characters from the Austen Cannon and make them sapphic.” McLeod’s Mary Bennet is quite different from the book’s character and gets a complex queer community supplied by the author’s imagination.
A sale on the Chirp audiobook platform let me to pick up a series starting with The Invisible Library by Genevieve Cogman about which I’ve heard good things from friends. Like magical school stories, there’s an entire subgenre of magical library stories, which should be solidly my jam. In retrospect, I did definitely enjoy the book, but somehow in the middle of it I kept forgetting that it was waiting for me. Not sure why, but it meant it took me over a month to finish.
Wanting something a bit more bite-sized, I browsed through my to-be-read bookcase (yes, I have an entire bookcase with lonely hard-copy books waiting for me to pet them) and picked up Servant Mage by Kate Elliott. This fantasy novella managed to pack in enough plot and action for an entire novel—maybe even for a trilogy. A masterpiece of telling you just enough about the world and setting that you can fill in large spaces on your own.
Author Guest
One of the things I’ve wanted to work harder on in my theoretically greater free time is doing more interviews. I’ve made a good start this year, but from the other dropped balls you might guess that I don’t have one in this show. I do have several interesting people lined up for later this year—not all of them authors—and I’m always interested in doing companion interviews for new releases. In the last couple years, that means most of them have been for books from major publishers, because those are the books I know about enough in advance to set up the interview. I’d love to work with more small press and indie authors, but you have to let me know that you’re going to have books coming out!
In this episode we talk about:
Links to the Lesbian Historic Motif Project Online
Links to Heather Online
After the flurry of postings in the last month, I'm taking a brief break for the holiday weekend. In fact, the "On the Shelf" podcast episode will be delayed probably until Tuesday, since I'm not going to try to record it in a hotel room. (I'm currently at BayCon/Westercon.) If you're at the con, make sure to find me and say hi.
I did one of those things where I started out writing a blog intro to the LHMP entry and ended up with an essay that needed to move into the entry commentary instead. (I really do need to do an explainer on the underlying structure of the data here.)
Braunschneider, Theresa. 2004. “Acting the Lover: Gender and Desire in Narratives of Passing Women” in Eighteenth Century: Theory and Interpretation 45, no. 3: 211-29
I sometimes provoke outraged reactions in certain quarters when I claim that it isn't possible to disentangle lesbian history from transgender history. But this article gets into the type of reason why I say that. (And I'll have an entire chapter in my book digging deeper into this topic.) What lies at the heart is that one strain (and there are others) of historic understanding of and reaction to a female-bodied person desiring another female-bodied person is to simultaneously force them into a heteronormative framework and then punish the "designated male" participant, not for homosexuality, but for gender transgression. We see this in contexts like the one discussed in the present article, where behavioral gender-crossing of some type is involved, but we also see it in the long history of investigating women expressing same-sex desire for signs of physiological masculinity.
Under a heteronormative framework, transness is far more legible and comprehensible than homosexuality. Thus, regardless of what identity models the people involved had available or adopted as their own, there has been a regular (though variable in strength) pressure to accept a trans framing. (This continues up through the late 19th century sexologists' conflation of trans and homosexual experiences under the "gender invert" label.) Even apart from the anachronism of applying current identity categories to historical people, this complicates attempts to neatly categorize historic people with regard to degrees/types of "female masculinity." If a female-bodied person could be labeled "masculine" for being intelligent, brave, strong, tall, athletic, honorable, independent, politically savvy, not conventionally pretty, etc. etc., then how do you trace a line between transmasculinity and accepting cultural brainwashing? (Please note: I am NOT implying that transmasculine identity is due to "cultural brainwashing." I'm saying that some people are trans men and some people have been labeled "unfeminine" for not aligning with certain cultural stereotypes.)
When I get negative reactions to my (admittedly provocative) statement about the entanglement of lesbian history and trans history, my impression is that some of it comes from assuming that I'm talking about trans women in lesbian spaces, whereas mostly I'm talking about the ambiguous classification of female masculinity. But when you come down to it, the historic people who reacted to a female-presenting person desiring a woman by accusing her of being "really a man, in some fashion" aren't that different from the modern bathroom police who see a female-presenting person who deviates in some way from a narrow definition of femininity and accuse her of being "really a man." And I wish more people were more familiar with the deep history of gender policing and the damage it causes.
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Narratives of the lives and “adventures” of passing women were popular in 18th century British culture, purporting to provide biographies of women who lived as a man for some period of time, including: Hannah Snell, Christian Davies, Jenny Cameron, Anne Bonny & Mary Read, Charlotte Charke, Elizabeth Ogden, an unnamed “apothecary’s wife” whose story is appended to the English translation of the life of Catharine Vizzani, and Mary Hamilton whose story inspired the label “female husband” for those passing women who engaged in relationships with other women.
Despite being based on actual lives, and despite the assertion that each was “unique,” the stories as published became highly conventional, with certain fixed elements. One such element (the focus of this paper) is some type of erotic interaction between the passing character and another woman, either actively courting the woman or becoming the object of the woman’s interest (and usually delighted in so being).
There are two other contexts in popular culture of the time that feature cross-dressing women but do not include these erotic encounters: the “woman warrior” plot in which a woman typically dresses as a soldier to follow (or pursue) a male lover; and cross-dressing subplots in novels.
These erotic encounters in passing woman narratives raise and address questions about the relationship between gender and sexuality, and not always in ways that align with the supposed “lesson” such stories provided to the public. Previous scholarship on the genre usually addressed one of two angles: the challenge to stereotypes of gendered ability (Friedli, Dugaw, Wheelwright, Dekker & Van de Pol); or their situation within ideas of female homoeroticism in general (Lanser, Donoghue, Moore).
This article looks at how passing woman erotics disrupt an assumed correspondence between gendered social role and the object of desire. The author notes that 18th century attitudes did not assume an automatic connection between cross-dressing and homoeroticism and, in fact, to some extent passing woman stories act to reinforce heteronormativity, even as they question it. Further, they support an assumed principle that “gender difference must precede desire.”
The author cautions that passing woman narratives should neither be assumed to represent homosexual desire nor that they should be assumed to erase it entirely. Further, she argues that rather than “gender norms [being] defined through sexuality” these texts are part of an active process of creating those norms. The stories’ insistence on making erotic connections between cross-dressed women and normative women in pseudo-heterosexual relations act to separate masculinity (as a gender), with its concomitant orientation of desire toward women, from biological maleness. And it is this separation that creates a potential reading of female masculinity as tied to homoeroticism.
[Note: I’m skeptical about the claim that this is a process being established in the 18th century, because there is a very long historical tradition of associating desire for women with an assumption of masculinity, such that female-oriented desire triggered investigation into the potential masculinity of a female-presenting woman.]
The formulaicness of passing-woman erotic plots creates an expectation within the audience for such an encounter at any time a cross-dressing woman is introduced. In one version, the passing woman decides to court a woman (or women) either as a test of her passing, as a lark, or in active support of the strength of her disguise. And in the standard narrative, she is successful. The object of the courtship falls in love and pledges herself to the passing woman, often preferring that relationship to other rivals. The courtships may be presented hyperbolically or with a certain sly satire on conventional courtship rituals. But the essential element is that the courtship and its reception occur within a context where the two are understood to be man and woman.
This same formula holds when the normative woman initiates the courtship; it occurs within a context involving gender difference. An interesting doubled example is the brief description of the pirates Mary Read and Ann Bonny, when both are cross-dressing and each believes the other to be a man. In order to shift from desire to an active relationship, Bonny reveals her sex to Read (thereby establishing an assumed gender difference), only to have Read reveal her own sex, thus negating (within the narrative) the erotic potential. [Note: Compare a similar double-disguise plot in the play Gallathea, in which desire is sparked in both disguised women when they believe the beloved is male, that desire is challenged when both reveal their sex, but the desire outlasts the reanalysis that it is same-sex.]
The usual resolution of a gender reveal is that the normative woman’s desire evaporates and the previous desire is either reanalyzed as a good joke or an act of fraud. Here, though, we start seeing cracks in the façade. In the Jenny Cameron narrative, after Jenny reveals her sex to avert a duel with her rival for the girl’s affections, the girl immediately decides to marry the rival, lest she make a similar mistake in the future—that is, acknowledging the potential for her to again fall in love with a female-bodied person under the necessary masculine presentation.
A second type of resolution occurs when the passing woman concludes that the relationship is “impossible” (despite wishing that it were possible) and breaks off the courtship concluding that it “could not go beyond a platonick Love.” That is, the passing woman reciprocates the desire but chooses not to pursue it (and may or may not reveal her sex to her beloved). Here we find another distinction in how the narratives are presented. A passing woman who steps back from a homosexual relationship is typically presented as heroic and admirable (at least in that context, even if she may not be in other contexts).
In contrast, the third type—stories in which the passing woman continues to pursue the relationship, up to and including marriage and a sexual relationship—frame the passing woman as deceptive and fraudulent if the sexual relationship shatters the myth of "impossibilities." The classic example is Mary Hamilton.
Type 2 and 3 both challenge the idea that sexual difference is necessary for erotic desire (although the type 3 may frame the passing woman as mercenary rather than besotted), even if gender difference is still presented as essential. If is rare for the passing woman to reject the courtship or reveal her sex due to being horrified, disgusted, or simply uninterested. An essential part of the narratives is to depict the normative woman as desirable and (for all practical purposes) eligible. Rather, when the passing woman breaks things off, it is due to believing the next step (consummation) to be “impossible.”
Here, the passing woman narrative confronts the female husband narrative, in which that supposed impossibility is overcome. Now a different contrast in reception emerges: condemnatory narratives in which the female husband uses an artificial penis to overcome the “impossibility” and more neutral narratives in which some other means is used to side-step the question of consummation. It is this distinction in reception, Braunschneider argues, that works to help construct the normative relationship of gender and sexuality. It isn’t that desire can never precede gender difference, and it isn’t that the consummation of female homosexual relationships is literally impossible, but that when these principles are violated the narrative condemns them and frames the passing woman as monstrous and unnatural.
The judgement of the narratives is not based on the biological sex of the persons involved, but on the performed gender. The texts clearly assume—indeed, depend on—the audience knowing that the supposed “impossibilities” are, in fact possible, for key aspects may be provided only by implication or circumlocution. Thus, they create and acknowledge a space in which female-bodied people can desire each other and can consummate that desire. They simply define those possibilities as unacceptable.
A particularly convoluted example is offered to demonstrate the reductio ad absurdum of this program, contrasting what the participants in the scenario “know” versus what the narrator and the audience “know,” and how that knowledge shapes the presentation of the scenario. As long as the participants in the narrative “know” that an interaction is male-female, it is treated positively by the narrator, or at least as natural and expected, even though the narrator (and audience) “know” that the interaction is same-sex. At the same time, the passing woman is given a pass [pun intentional] on behavior that would be unacceptable in a man (such as abandoning their girlfriends without a qualm) because the alternative (continuing the relationship) would be unacceptable in a woman. The audience reception of the character shifts between treating her as a man and as a woman in inconsistent (but formulaic) ways, sometimes following the narrator’s “knowledge” that she is a woman, sometimes following the other characters’ “knowledge” that she is a man.
The same formulaic inconsistency occurs when it comes to sexual relations. When Mary Hamilton’s narrative follows her through one wedding night in which she doesn’t have her “device” available, wherein her flustered embarrassment is treated sympathetically (although in a mocking way), followed by clearly condemnatory descriptions of the sexual relations she engages in when the “device” is involved—but only after her wife discovers the truth. Her relationship becomes “vile” and “criminal” not only when one specific sexual technique is employed, but when it is known by the partner to be employed. That is, so long as Hamilton’s wife believes she is married to a man, the marriage is successful. When the relationship is known to be same-sex (by both participants) its nature is treated as being materially changed.
This is just a placeholder for a cross-reference. Go about your business.
Garber, Linda. 2015. “Claiming Lesbian History: The Romance Between Fact and Fiction” in Journal of Lesbian Studies, 19(1), 129-49.
This is an early and much simpler version of the content in Garber 2022 to which I direct the reader.